That's What We'd Do: 2-Part Choral Octavo

The owl imagery and those lilting "whoos" create an irresistible charm that works equally well in a concert setting or an adjudicated festival. Dave Perry and Jean Perry's arrangement captures the text's playful sophistication without overcomplicating the vocal lines, giving singers something genuinely enjoyable to perform while maintaining artistic credibility.

Serene and whimsical, with the gentle motion of a tree at dusk. The singers inhabit a quiet, imaginative space where owl calls become a musical conversation, drawing listeners into an intimate moment of nature.

This octavo suits 2-part choirs ranging from middle school through adult community ensembles. It works especially well for groups seeking concert or festival material that feels sophisticated without demanding advanced vocal technique.

• Shape the "whoos" as musical phrases rather than mere sound effects. Let them breathe and land intentionally, as if the owls are truly conversing across branches.
• Balance the two parts so that the exchange of phrases feels like genuine dialogue. Avoid letting one section dominate the back-and-forth.
• Use dynamic contrast to paint the nightfall setting. A slightly softer, more intimate opening will make the piece feel like the audience is entering the owls' world.
• Work for clarity in any passages where text and melody interact. The storytelling depends on singers being heard and understood.

Pair this with other nature-themed or animal-inspired literature to create a themed set, or use it as a lighter interlude in a concert that otherwise features heavier repertoire. Its accessible charm makes it an excellent choice for spring concerts or family-friendly programming.

• Trading phrases between two vocal parts with rhythmic precision
• Shaping melodic lines that follow the natural contours of text
• Creating expressive contrast through dynamic control and phrasing
• Building ensemble awareness through careful listening to the other part