Tell Me, Tell Me!: SATB Choral Octavo
(A Christmas Spiritual)
Words and music by Sally K. Albrecht and Jay Althouse
Item: 00-PO-0001866
Minimum order quantity: 20 copies
Pickup currently not available
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About the Composer: Sally K. Albrecht

Sally K. Albrecht has spent more than thirty years shaping choral music in American schools, first as a director of publications for major educational music publishers and later as a conductor and clinician known especially for integrating movement into choral performance. Her compositional output exceeds 600 works for choirs, along with 75 songbooks and musicals, and she has been honored with ASCAP's Special Music Award annually since 1987. Her conducting has been heard at festivals across the country, including prestigious venues like Lincoln Center, Carnegie Hall, and The Kennedy Center.
Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976) and the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979). She has taught at Oakland University, Jersey City State College, and Meredith College, and served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College. She lives in North Carolina with her husband, composer and arranger Jay Althouse.
Why we love this
The gospel groove and energetic pickup licks for the lower voices give this spiritual real personality and keeping power. Directors know that choirs remember and love songs they can move with, and this piece builds that engagement into the arrangement itself rather than requiring staging as an afterthought. The mixed voicings and vocal stack writing ensure that every section gets something genuinely fun to sing.
What to expect
Infectious and celebratory. The moment the lower voices dig into those pickup licks, you feel the groove take hold of the room. It's the kind of holiday spiritual that sounds good the first time through but becomes genuinely thrilling once the rhythmic interlock clicks and the choir discovers how much fun their parts are together.
Who it's for
Mixed choirs of any age who thrive on energy, rhythmic precision, and music that invites movement. Singers love this piece because it combines genuine gospel feel with moments written specifically for their voice part to shine, whether that's a rich harmonic stack or a rhythmic lick that makes them want to move.
How to get the most out of it
- Let the lower voices own their pickup licks with rhythmic precision and swagger. These figures drive the piece forward, so lock them in early and rehearse them separate from the full choir until they feel effortless.
- Shape the gospel voicings by balancing blend with clarity. Each voice part contributes harmonic color; resist the urge to let any line disappear into the mix.
- Integrate the suggested movement and staging from the score into your rehearsal process from the start. When singers move intentionally with the music's pulse, the rhythmic energy deepens naturally.
- Use the recorded accompaniment to establish the groove and tempo, but encourage singers to listen to each other first. The best gospel sound emerges when the choir locks in internally, not just to the track.
How to use it
Open a holiday concert with this to grab immediate energy and goodwill, or place it mid-program where a shift in mood and momentum will land hardest. The spiritual's focus on the nativity story makes it equally at home in a Christmas, Advent, or interfaith celebration, and its infectious groove gives even serious concert programs a moment of joy and connection.
Skills your students will build
- Gospel voicing and harmonic stacking in SATB writing
- Rhythmic precision in pickup figures and syncopated patterns
- Blend and balance within a four-part harmonic texture
- Coordination of movement with ensemble singing
- Musicality in call-and-response and layered vocal lines