Tell Me, Tell Me! Cover Image

Tell Me, Tell Me!: SATB Choral Octavo

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Tell Me, Tell Me! Cover Image

Tell Me, Tell Me!: SATB Choral Octavo

(A Christmas Spiritual)

Words and music by Sally K. Albrecht and Jay Althouse

Item: 00-41676

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Description
You just can't stand still when you hear this kickin' original spiritual about shepherds, wise men, a shining star, and the baby boy. Every singer will enjoy the gospel vocal stack; and in the mixed voicings, the guys will have a blast digging into a few energized pick-up licks. Sure to be the highlight of your holiday program!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Tell Me, Tell Me!: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081467566
SKU: 00-41676

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has composed over 600 choral works and directed school choral publications for major educational music publishers, including Alfred Music, where she spent more than three decades. Her compositions have been performed at prestigious venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and she has received the ASCAP Special Music Award annually since 1987.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977; M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. She is a member of the Board of Trustees at Rollins College and received the Distinguished Alumna Award from both Rollins and the University of Miami Frost School of Music in 2021.

Why we love this

Albrecht and Althouse have crafted a contemporary spiritual that captures genuine gospel energy without requiring a specialized ensemble or complex arrangements. The intentional writing for men's voices on energized pick-up licks gives male singers a standout moment, ensuring full participation across your entire choir. With built-in movement possibilities and a joyful holiday message, this piece practically directs itself toward an engaging performance.

What to expect

Infectious and celebratory, with the swagger of a contemporary spiritual rooted in traditional gospel language. The piece invites physical response; singers will feel the momentum in those pick-up licks, and audiences will hear joy that's earned rather than manufactured.

Who it's for

Holiday concerts featuring mixed choirs who want genuine gospel character without oversimplifying the musical or cultural context. This octavo engages singers across all voice parts, particularly appealing to ensembles where male singers appreciate moments designed specifically for their range and musicality.

How to get the most out of it

  • Lean into the gospel vocal stack with rhythmic precision; these stacked harmonies need clarity and alignment to land their full impact.
  • Encourage the men to own their pick-up licks with confidence and swing. These moments deserve rehearsal time separate from the full choir so they can develop texture and pocket.
  • Study the recorded accompaniment early to understand the groove and energy level; your choir's interpretation of tempo and feel should match this reference.
  • Plan your staging or movement during rehearsal rather than assuming it will happen naturally. The description promises movement, so map it intentionally to enhance the piece's infectious spirit.

How to use it

Schedule this as a guaranteed crowd-pleaser in your Christmas program, ideally positioned where you need energy and audience engagement. Its accessibility and entertainment value make it an excellent transition piece or concert closer, especially if you're balancing more reverent sacred selections with modern, spirited celebrations.

Skills your students will build

  • Gospel-style rhythmic precision and swing feel in stacked harmonies
  • Stylistic voicing differentiation between men's pick-up licks and full SATB sections
  • Coordination of movement and staging with vocal performance
  • Ensemble balance within contemporary harmonic structures

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