Tama Tu: 2-Part / SSA Choral Octavo
A Maori Proverb
Words and music by Sally K. Albrecht
Item: 00-PO-0000931
Minimum order quantity: 20 copies
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About the Composer: Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for more than three decades as a composer, conductor, and educator. Recognized annually with the ASCAP Special Music Award since 1987, she has published over 600 choral works and 75 larger-scale musicals and songbooks. She has guest-conducted honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and spent her career directing choral and vocal publications for leading educational music publishers, culminating in her tenure at Alfred Music.
Albrecht holds degrees from Rollins College (B.A., Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977), and the University of Miami Frost School of Music (M.M. in Accompanying, 1979). She has taught at Oakland University, Jersey City State College, and Meredith College. In recognition of her contributions to music education and leadership, she received the Distinguished Alumna Award from both the University of Miami and Rollins College in 2021, and serves on the Rollins Board of Trustees.
Why we love this
Albrecht brings movement and theatrical energy into the choral rehearsal in a way that feels natural rather than forced. The integration of a Maori proverb presented first as chant, then as song, gives your singers authentic multicultural content with genuine rhythmic interest, and the echo passages are the kind of musical moment that students talk about after rehearsal.
What to expect
Bright and rhythmically engaging, with the kind of playful echo writing that builds ensemble cohesion and keeps singers engaged. The shift from spoken chant to melody creates a satisfying arc that feels both contemporary and rooted in world tradition.
Who it's for
Middle school through adult choirs looking to expand their cultural repertoire with accessible, energetic music. This works especially well for directors who want to integrate movement without requiring extensive choreography training.
How to get the most out of it
- Teach the chant section with clear diction and ensemble precision first; this foundation makes the transition into the sung melody feel more impactful.
- Lean into the rhythmic character by having singers feel the pulse underneath the echoes rather than rushing to catch cues.
- Reference the Showbiz! DVD to see movement options and blocking ideas that suit your space and ensemble size.
How to use it
Program this as an energizing centerpiece in a concert focused on world music or cultural celebration, or use it strategically mid-concert to shift the mood and reset audience attention. It pairs well with other multicultural selections and gives you a strong contrast piece to slower, more introspective repertoire.
Skills your students will build
- Rhythmic precision in call-and-response and echo passages
- Articulation and diction in a non-English language context
- Ensemble blend and tuning across SSA/2-Part voicing
- Integration of movement with singing
- Cultural awareness through authentic world repertoire