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Tama Tu: SoundTrax Digital Audio Download

$27.99 USD
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Tama Tu Cover Image

Tama Tu: SoundTrax Digital Audio Download

A Maori Proverb

Words and music by Sally K. Albrecht

Item: 00-A-00015330

$27.99
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00015330

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped choral music education for over three decades as a composer, conductor, and clinician with a distinctive focus on integrating movement into choral performance. Her catalog includes more than 600 published choral works and 75 larger musicals and songbooks, earning her ASCAP Special Music Awards annually since 1987. She has led honor choirs at major venues including Lincoln Center, Carnegie Hall, and The Kennedy Center, and served for many years as Director of School Choral, Vocal, and Elementary Publications at Alfred Music.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977, and M.M. in Accompanying, 1979), and has taught at Oakland University, Jersey City State College, and Meredith College. In 2021, she received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she currently serves on the Board of Trustees. She resides in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht's signature integration of movement and staging makes this piece come alive beyond the notes on the page. The recorded accompaniment gives you professional support in rehearsal, freeing your attention to shape the choreography and staging that transform a good performance into one your singers and audience will remember.

What to expect

The piece draws from world music traditions, creating an energetic and accessible sound that feels both grounded and celebratory. Paired with purposeful movement, it invites singers and audiences into a sense of shared cultural exploration and joy.

Who it's for

Directors seeking multicultural repertoire that engages singers through both music and movement. This works for developing choirs that respond well to kinesthetic learning and for experienced ensembles looking for a showcase piece with clear staging that reads well from the audience's perspective.

How to get the most out of it

  • Establish the basic staging movements during your first read-through so singers understand the piece spatially from the start, rather than adding choreography as an afterthought.
  • Use the accompaniment recording in early rehearsals to let your singers hear the full harmonic and rhythmic context while you focus on teaching the staging elements.
  • Block larger formations and sight lines before moving to detailed footwork; this keeps rehearsal efficient and builds confidence in singers who may be new to movement-integrated singing.
  • Attend to the balance between movement and breath; brief moments of stillness often enhance the impact of choreography and give singers secure points to reset their breath support.

How to use it

Feature this as a standalone concert opener or midsection piece where staging and movement can shine under focused attention. Its multicultural character and accessible style make it ideal for spring concerts, world music showcases, or all-choir performances that highlight your ensemble's versatility and theatrical energy.

Skills your students will build

  • Coordinating singing with choreographed movement
  • Interpreting cultural musical idioms and phrasing
  • Ensemble spatial awareness and formation control
  • Maintaining vocal technique while executing choreography
  • Communicating musical content through physical expression

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