Taking a Chance on Love Cover Image

Taking a Chance on Love: Choral SoundPax

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Taking a Chance on Love Cover Image

Taking a Chance on Love: Choral SoundPax

Music by Vernon Duke, words by John LaTouche and Ted Fetter / arr. Darmon Meader

Item: 00-27312

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Description
Darmon Meader takes a swinging approach to this pop/jazz standard, with a tight vocal arrangement accompanied by piano or optional jazz trio. Clever lyrics make it a real audience pleaser, and your singers will appreciate the masterly vocal writing. Vocal jazz groups: don't miss it.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Taking a Chance on Love: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081295725
SKU: 00-27312
Instrumentation: SoundPax

More about this title

About the Composer: Vernon Duke

Vernon Duke (1903-1969) was a Russian-born composer who became a major voice in American musical theater and popular song. His sophisticated harmonic language and memorable melodies earned him recognition among both Broadway audiences and jazz musicians, who have recorded his standards repeatedly across decades.

Why we love this

Darmon Meader's arrangement captures the essence of swing without overcomplicating the voicing, making this accessible for intermediate choirs while maintaining the sophistication that keeps advanced ensembles engaged. The optional jazz trio instrumentation gives you flexibility to perform with piano alone or scale up the sound, and the witty lyrics ensure this lands with genuine charm rather than trying too hard for laughs.

What to expect

Smooth and playful, with that classic swing-era relaxation in the groove. The vocal writing sits comfortably in the voice while maintaining enough rhythmic sophistication to keep performers and audiences alert and smiling throughout.

Who it's for

Jazz choirs and vocal jazz groups looking for a swinging standard with genuine style and humor. Mixed ensembles and community choirs who want a Great American Songbook piece that feels fresh rather than stuffy will find this arrangement equally rewarding.

How to get the most out of it

  • Lock the rhythm section into a consistent swing feel from the start of rehearsals; the groove is the foundation that lets the vocal lines sit naturally rather than feel forced.
  • Pay attention to the lyrical wit in how Meader sets the text; clarity of diction matters here since the humor depends on audiences hearing the words clearly.
  • Balance blend and personality in the jazz trio parts if you use them; these instruments should enhance the groove without drowning out the singers.
  • Use the recorded accompaniment during early rehearsals to anchor the ensemble's sense of swing, then gradually move toward independence so singers own the feel.

How to use it

Program this as a centerpiece for a jazz-focused concert or as a welcome contrast on a program that mixes classical and contemporary choral work. It works equally well in spring pops concerts or competitive jazz festivals where audiences appreciate both musicianship and entertainment value.

Skills your students will build

  • Swing articulation and phrasing
  • Jazz chord progressions and harmonic movement
  • Rhythmic precision in syncopated passages
  • Blend and balance in small vocal groups
  • Text clarity and comedic timing in lyrics

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