Taking a Chance on Love Cover Image

Taking a Chance on Love: Choral Octavo SoundTrax CD

$27.99 USD
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Taking a Chance on Love Cover Image

Taking a Chance on Love: Choral Octavo SoundTrax CD

Music by Vernon Duke, words by John LaTouche and Ted Fetter / arr. Darmon Meader

Item: 00-27311

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Description
Darmon Meader takes a swinging approach to this pop/jazz standard, with a tight vocal arrangement accompanied by piano or optional jazz trio. Clever lyrics make it a real audience pleaser, and your singers will appreciate the masterly vocal writing. Vocal jazz groups: don't miss it.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081295718
SKU: 00-27311

More about this title

About the Composer: Vernon Duke

Vernon Duke (1903–1969) composed for Broadway, film, and the concert hall with equal facility. His scores for shows like Cabin in the Sky and The Ziegfeld Follies established him as a master of melody and orchestration who understood both theatrical charm and musical sophistication.

Duke's catalog reflects a composer equally at home with classical forms and popular idioms. His Great American Songbook standards remain fixtures of jazz repertoires and choral programs because they combine memorable hooks with harmonic depth that rewards close listening.

Why we love this

Darmon Meader's arrangement captures the infectious energy of a swinging standard while giving singers genuinely musical parts to sink their teeth into. The orchestration works equally well with a pianist accompanying or a full jazz trio, so you can adapt to your performance space and available resources without sacrificing the groove.

What to expect

A breezy, optimistic number with sharp wit in the lyrics and sophistication in the harmonic movement. The piece swings naturally, neither forced nor overly laid-back, with enough melodic charm to stick with your singers and audience long after the final chord.

Who it's for

Vocal jazz ensembles and pop choirs looking for a sophisticated standard that plays well to audiences. This octavo suits singers with some jazz experience and a willingness to blend into close harmony; you'll need confident blend and intonation across the SATB parts.

How to get the most out of it

  • Balance the vocal lines so the arrangement's clever counterpoint comes through; this isn't a unison shout but a tightly voiced ensemble conversation.
  • Lock the rhythm section (piano or trio) into a crisp swing pocket before sectional rehearsals; once your singers hear the groove, tuning and phrasing snap into place faster.
  • Shape the lyrical moments with the same attention you'd give a jazz soloist; Duke's harmonic language rewards expressive rubato and dynamic nuance even within the upbeat sections.

How to use it

Program this as a concert closer or as part of a jazz-focused set where it can anchor a sequence of standards and contemporary pop arrangements. The uptempo energy and audience familiarity make it a reliable crowd pleaser that also showcases your ensemble's precision and musicality.

Skills your students will build

  • Swing subdivision and jazz articulation
  • Singing in close four-part harmony with accurate blend and intonation
  • Stylistic interpretation of Great American Songbook repertoire
  • Syncopated rhythm reading in a contemporary choral context
  • Collaborative ensemble listening in an arranged vocal jazz setting

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