Take Me Out to the Ball Game Cover Image

Take Me Out to the Ball Game: SAB Choral Octavo

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Take Me Out to the Ball Game Cover Image

Take Me Out to the Ball Game: SAB Choral Octavo

Arr. Jay Althouse

Item: 00-7638

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Description
This fun-packed arrangement includes new, updated lyrics. Use the Alfred SoundTrax. Featured on "On with the Show!" video, #21799.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Take Me Out to the Ball Game: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081011110
SKU: 00-7638

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored with the Distinguished Alumni award. His eight-year tenure as a rights and licenses administrator at a major educational music publisher gave him deep insight into what choirs need, and he served on the Executive Board of the Music Publishers Association of America during that time.

With over 800 choral works in print across all ability levels, Althouse has become one of the most widely performed composers in English-speaking choral programs. He is a writer member of ASCAP and a regular recipient of the ASCAP Special Award. Beyond composition, he has co-written children's musicals with his wife Sally K. Albrecht, compiled respected vocal solo collections, co-authored The Complete Choral Warm-up Book and Accent on Composers, and created reproducible classroom resources including Ready to Read Music and One-Page Composer Bios. He resides in North Carolina and serves on the National Advisory Board of the Folk Art Society of America.

Why we love this

Althouse brings genuine joy and theatrical flair to this American classic without losing the song's heart. The updated lyrics keep the novelty fresh while the SAB voicing makes it accessible for developing choirs, and the built-in movement and staging options mean your singers get to have as much fun performing it as audiences do watching it.

What to expect

Nostalgic and playful, with just enough novelty to feel contemporary. The arrangement captures the rowdy, good-natured spirit of a ballpark crowd while the updated lyrics add a wink that invites modern audiences in on the fun.

Who it's for

This arrangement suits choirs looking for guaranteed audience engagement and strong singer morale. SAB voicing makes it ideal for treble-dominant or mixed ensembles at the high school or community level who want a show-stopping moment that doesn't require extensive vocal range or technical difficulty.

How to get the most out of it

  • Lean into the comedic timing; don't rush the punchlines in the new lyrics. Let each phrase land clearly so the audience catches the humor.
  • Bring energy to the unison sections to anchor the piece vocally before moving into the three-part harmonies.
  • Use the recorded accompaniment to nail the rhythmic precision, especially if staging or choreography is part of your presentation.
  • Balance fun with ensemble blend in the SAB sections; the novelty works best when voices lock together rather than standing out as individuals.

How to use it

Program this as a concert closer or stand-alone novelty number when you want to send audiences home smiling. It works particularly well on pops concerts, variety shows, or end-of-year celebrations where movement and staging can be showcased. The 12-page length and recorded accompaniment make it manageable to prepare even within a packed rehearsal schedule.

Skills your students will build

  • Balancing solo and ensemble textures within a three-part voicing
  • Performing with rhythmic precision to a recorded accompaniment
  • Connecting movement and blocking to choral singing
  • Sustaining comedic delivery through proper phrasing and diction
  • Blending voices in SAB harmony while maintaining individual line clarity

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