Symphony No. 5 in E minor, Op. 64: 4th Mvt. (Finale) Cover Image

Symphony No. 5 in E minor, Op. 64: 4th Mvt. (Finale): Full Orchestra Conductor Score & Parts on Rental

$140.00 USD
Sale price  $140.00 USD Regular price 
Skip to product information
Symphony No. 5 in E minor, Op. 64: 4th Mvt. (Finale) Cover Image

Symphony No. 5 in E minor, Op. 64: 4th Mvt. (Finale): Full Orchestra Conductor Score & Parts on Rental

By Peter Ilyitch Tchaikovsky

Item: 36-E903602

$140.00
Shipped

One moment…

Description
Written three years after his Manfred Symphony, Pyotr Ilyich Tchaikovsky's (1840-1893) Symphony No. 5 in E minor, Op. 64 was composed in 1888. Although it has been surpassed in popularity a bit over the decades by his fourth and sixth symphonies, the work remains a staple in the orchestral repertoire. It premiered on November 17, 1888, by the St. Petersburg Philharmonic with the composer conducting. Movement IV (Finale. Andante maestoso - Allegro vivace) is the most striking of the movements. Early reviews of the complete work were often hostile, due in large part to the fourth movement. One 1892 Boston review says, for example, "Of the Fifth Tchaikovsky Symphony one hardly knows what to say ... In the Finale we have all the untamed fury of the Cossack, whetting itself for deeds of atrocity, against all the sterility of the Russian steppes. The furious peroration sounds like nothing so much as a horde of demons struggling in a torrent of brandy, the music growing drunker and drunker. Pandemonium, delirium tremens, raving, and above all, noise worse confounded!" History has been much kinder to the work as a whole, and to the Finale movement specifically, than those early perceptions. Instrumentation: 3(3rd dPicc).2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set).

Symphony No. 5 in E minor, Op. 64: 4th Mvt. (Finale): Full Orchestra Conductor Score & Parts on Rental isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 746241263810
SKU: 36-E903602
Instrumentation: 3(3rd dPicc).2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Peter Tchaikovsky

Pyotr Ilyich Tchaikovsky (1840, 1893) shaped the sound of Russian orchestral music through symphonies that blur the line between structural rigor and unbridled emotional expression. His ability to harness folk melody, harmonic innovation, and sheer orchestral color made him one of the most performed composers of the late 19th century, and his influence on students and peers alike extended far beyond Russia's borders.

Tchaikovsky's orchestration remains a masterclass in instrumental writing. He understood how to build tension across an entire movement, layer voices with clarity even in densely scored passages, and create moments of overwhelming climax that feel inevitable rather than contrived. For conductors and orchestras, his works demand both technical precision and the willingness to let emotional architecture guide interpretive choices.

Why we love this

The Fourth Movement stands as one of orchestral music's most visceral finales, transforming a hymn tune into a tour de force of orchestral virtuosity and rhythmic propulsion. Contemporary critics called it pandemonium; modern ears hear a stroke of genius that rewards orchestras willing to commit fully to its dramatic arc. This is the movement that makes Tchaikovsky's Fifth a programming triumph rather than just a standard repertoire piece.

What to expect

The movement sweeps through contrasting landscapes of majestic deliberation and headlong urgency. It opens with hymn-like solemnity, gradually accelerates into relentless forward motion, and culminates in a climax of nearly unbridled orchestral fury that feels both exhilarating and slightly out of control. The result is simultaneously symphonic and visceral.

Who it's for

Advanced orchestras and university ensembles ready to tackle a masterwork that demands both technical facility and expressive maturity. This finale requires musicians who can navigate shifting meters, sustain long lines against rhythmic turbulence, and respond to nuanced conductorial gesture without losing ensemble cohesion.

How to get the most out of it

  • Establish the tempo relationship between the opening Andante maestoso and the Allegro vivace before rehearsals begin. The transition hinges on precise metric modulation, and clarity here prevents confusion in subsequent rehearsals.
  • Drill the main theme's rhythmic profile across all sections simultaneously. Its syncopated character sits differently depending on orchestral balance, and unified understanding prevents the tune from sliding into muddiness.
  • Shape the accelerating passages in the final pages with gradual dynamic increases rather than sudden jumps. The mounting excitement comes from collective momentum, not isolated forte markings.
  • Balance the brass chorale moments against strings and woodwinds. These sections often dominate in under-rehearsed performances; resist the temptation to let them overwhelm the surrounding texture.

How to use it

Close a concert with this finale when you want to leave an audience breathless. Its structural completeness allows it to stand on its own without the earlier movements, making it ideal for all-Tchaikovsky programs, Russian music surveys, or finale-focused concert themes. The work also serves as a capstone performance for ensembles demonstrating advanced orchestration and interpretive skills.

Skills your students will build

  • Executing clean metric modulations and tempo relationships (Andante to Allegro transitions)
  • Balancing exposed melodic lines against complex rhythmic accompaniment patterns
  • Maintaining ensemble cohesion through accelerating passages and dynamic climaxes
  • Reading and responding to large-scale structural architecture across a single extended movement
  • Coordinating independent rhythmic layers in the brass section without sacrificing blend

You May Also Like