Symphony No. 5 in E minor, Op. 64: 4th Mvt. (Finale) Cover Image

Symphony No. 5 in E minor, Op. 64: 4th Mvt. (Finale): Full Orchestra, Conductor Score

$45.00 USD
Sale price  $45.00 USD Regular price 
Skip to product information
Symphony No. 5 in E minor, Op. 64: 4th Mvt. (Finale) Cover Image

Symphony No. 5 in E minor, Op. 64: 4th Mvt. (Finale): Full Orchestra, Conductor Score

By Peter Ilyitch Tchaikovsky

Item: 36-E903601

$45.00
Shipped

One moment…

Description
Written three years after his Manfred Symphony, Pyotr Ilyich Tchaikovsky's (1840-1893) Symphony No. 5 in E minor, Op. 64 was composed in 1888. Although it has been surpassed in popularity a bit over the decades by his fourth and sixth symphonies, the work remains a staple in the orchestral repertoire. It premiered on November 17, 1888, by the St. Petersburg Philharmonic with the composer conducting. Movement IV (Finale. Andante maestoso - Allegro vivace) is the most striking of the movements. Early reviews of the complete work were often hostile, due in large part to the fourth movement. One 1892 Boston review says, for example, "Of the Fifth Tchaikovsky Symphony one hardly knows what to say ... In the Finale we have all the untamed fury of the Cossack, whetting itself for deeds of atrocity, against all the sterility of the Russian steppes. The furious peroration sounds like nothing so much as a horde of demons struggling in a torrent of brandy, the music growing drunker and drunker. Pandemonium, delirium tremens, raving, and above all, noise worse confounded!" History has been much kinder to the work as a whole, and to the Finale movement specifically, than those early perceptions. Instrumentation: 3(3rd dPicc).2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set).

Symphony No. 5 in E minor, Op. 64: 4th Mvt. (Finale): Full Orchestra, Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852800-8
ISBN13: 979-8-88-852800-6
UPC: 659359907302
SKU: 36-E903601
Instrumentation: 3(3rd dPicc).2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Peter Ilyitch Tchaikovsky

Peter Ilyitch Tchaikovsky (1840-1893) was a Russian composer whose orchestral works became cornerstones of the concert repertoire. His six symphonies, ballets, and concertos display a gift for sweeping melodic invention and orchestral color that speaks directly to performers and audiences alike. Though trained in law, he pursued composition with single-minded devotion and became one of the 19th century's most performed symphonists.

Tchaikovsky's approach to the orchestra was essentially dramatic. He wrote for instruments as storytellers, layering themes across the ensemble to create emotional trajectories that audiences found immediate and moving. His later symphonies, including the Fifth, showcase an architect's control of large forms combined with an almost operatic sense of climax and resolution. For conductors and musicians, his scores remain endlessly rewarding to study and perform.

Why we love this

The Finale is a masterclass in orchestral architecture and emotional momentum. Tchaikovsky takes the movement from a contemplative opening through a methodical build to one of the most visceral and undeniable climaxes in the symphonic literature, and the conductor score reveals exactly how he layers the ensemble to achieve that relentless forward drive. Conductors will find ample opportunity to shape both the architectural sweep and the coloristic details, making this movement gratifying to rehearse and thrilling to conduct.

What to expect

The movement opens with quiet nobility and introspection, almost like a funeral march for dignity itself. Then it breaks open into driving, obsessive rhythmic momentum that builds relentlessly forward, layer upon layer of the orchestra converging until the whole ensemble explodes in a flood of sound that feels both celebratory and overwhelming, leaving the listener transformed.

Who it's for

This conductor score is essential for maestros preparing a major symphony orchestra performance of a core repertoire work. It suits experienced conductors comfortable with large Romantic-era scores and requires an orchestra of sufficient size and technical facility to execute both the subtle early movement work and the brilliant, demanding final section.

How to get the most out of it

  • Establish the opening Andante maestoso with steady, song-like phrasing in the violas and cellos; resist the impulse to rush the transition into Allegro vivace, which depends on the contrast between states of mind.
  • Bring out the rhythmic insistence of the string accompaniment once the Allegro takes hold; this mechanical precision actually heightens the sense of inevitability rather than sounding mechanical.
  • Watch for texture clarity in the tutti passages, where Tchaikovsky doubles themes across multiple choirs of instruments; define which section carries the primary line at each moment so that the orchestration reads rather than muddies.
  • Shape the final accelerando and fortissimo with gradual dynamic release, not a single moment of maximum force; the ending should feel earned through cumulative energy, not imposed.

How to use it

Program this as the finale to a Tchaikovsky-focused concert or as the climactic work closing a symphony series, where its famous power and accessibility create a memorable conclusion to the evening. The movement's psychological journey from restraint to exuberance also works beautifully paired with earlier symphonic movements in a thematic program exploring Romantic ideas about emotion and release.

Skills your students will build

  • Reading and conducting complex tutti passages with multiple instrumental choirs
  • Balancing texture and clarity across the full orchestra during thick harmonic writing
  • Managing large-scale dynamic trajectories across extended sections
  • Coordinating accelerandi and complex rhythmic transitions in the Allegro vivace
  • Shaping a Romantic-era climax with architectural control rather than simple force

You May Also Like