Symphonic Overture (Sursum Corda), Op. 13 Cover Image

Symphonic Overture (Sursum Corda), Op. 13: Full Orchestra Conductor Score & Parts

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Symphonic Overture (Sursum Corda), Op. 13 Cover Image

Symphonic Overture (Sursum Corda), Op. 13: Full Orchestra Conductor Score & Parts

By Erich Wolfgang Korngold

Item: 36-A816602

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Description
Erich Wolfgang Korngold (1897-1957) composed his Symphonic Overture (Sursum Corda), Op. 13 in 1919, at the age of twenty-two and during the same period in which he was orchestrating his opera Die tote Stadt. The Latin title Sursum corda ("Lift up your hearts") comes from the ancient liturgy of the Mass and aptly suggests the work's trajectory from turbulent struggle toward an exultant conclusion. Dedicated to Richard Strauss, one of the young Korngold's most important early admirers and artistic influences, the approximately eighteen-minute overture is conceived on a symphonic scale for an exceptionally large orchestra, including divided strings, expanded brass and percussion, two harps, and piano, and represents the culmination of the luxuriant late-Romantic orchestral language Korngold had developed in such earlier works as his Sinfonietta, Op. 5. Sursum Corda received its world premiere on January 24, 1920 in the Großer Saal of the Vienna Musikverein, with the Vienna Symphony Orchestra conducted by Korngold himself. Unlike several of the prodigy-composer's earlier orchestral works, however, it failed to win immediate public acceptance, its dense textures, harmonic complexity, and impassioned rhetoric proving less successful with contemporary audiences. The work nevertheless remained significant to Korngold. After his emigration to the United States and emergence as one of Hollywood's defining symphonic film composers, he reused substantial musical material from Sursum Corda in his Academy Award-winning score for The Adventures of Robin Hood (1938), creating a striking connection between his Viennese concert music and the cinematic style for which he later became famous. Today, Symphonic Overture (Sursum Corda), Op. 13 remains one of Korngold's comparatively rarely performed concert works, overshadowed by the Violin Concerto, Die tote Stadt, and increasingly his Symphony in F-sharp, but recordings and the broader revival of Korngold's concert music have brought renewed attention to its formidable orchestration, Straussian sweep, and importance as a bridge between the composer's youthful Viennese masterpieces and the richly symphonic language of his later Hollywood scores. Instrumentation: 3(3rd dPicc).2+1(EH).3+1(BCl).2+1(CBsn): 4.3+1(BsTpt).3.1: Timp.Perc(2): Hp(4).Pno: Str (9.4-4.3-3.3-3.8 in set). Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Edwin F. Kalmus
UPC: 604634323681
SKU: 36-A816602
Instrumentation: 3(3rd dPicc).2+1(EH).3+1(BCl).2+1(CBsn): 4.3+1(BsTpt).3.1: Timp.Perc(2): Hp(4).Pno: Str (9.4-4.3-3.3-3.8 in set)

More about this title

About the Composer: Erich Wolfgang Korngold

Erich Wolfgang Korngold (1897-1957) was a child prodigy whose compositional gifts emerged so early and so fully formed that established musicians immediately recognized him as a major talent. By his late teens, he had already composed significant works and caught the attention of Richard Strauss, who became a crucial mentor and champion of his music. His late-Romantic language was rich, chromatic, and orchestrally sophisticated at a time when many European composers were moving toward atonality and modernism.

After relocating to the United States in the 1930s, Korngold became one of Hollywood's most celebrated film composers, creating scores that brought symphonic depth and emotional intelligence to cinema. His film work, however, did not diminish his standing as a concert composer, and works like Sursum Corda demonstrate the orchestral mastery and harmonic daring that made him essential to both concert hall and screen.

Why we love this

Sursum Corda showcases Korngold at a pivotal moment: old enough to command a full symphonic apparatus with complete confidence, young enough to pour genuine struggle and passion into the work's architecture. The piece offers orchestras a rare opportunity to inhabit late-Romantic sound world that is neither Germanic Brahmsian tradition nor early modernist deconstruction, but something distinctly its own. Programming this work signals to your audience that they are about to hear an orchestra of considerable size and sophistication deployed with uncompromising musical intent.

What to expect

Turbulent and searching in its early pages, Sursum Corda gradually gathers momentum and conviction as it moves toward its exultant conclusion. The orchestration is lush and sometimes dense, with harmonic progressions that shift unexpectedly, creating moments of genuine uncertainty before resolving into passages of soaring lyricism. By the finale, the accumulated emotional weight resolves into something affirmative and grand, justified by everything that came before.

Who it's for

Orchestras of advanced amateur and professional caliber with the instrumental depth to field divided strings, expanded brass and woodwind sections, and a full percussion complement. This work demands secure intonation, rhythmic precision, and the ability to balance complex chromatic harmony across a large ensemble.

How to get the most out of it

  • Balance the divided strings carefully in the opening sections. Korngold's texture depends on the listener being able to hear how independent lines interweave; if the sections blend into an undifferentiated mass, the harmonic language loses its impact.
  • The two harps and piano require specific attention to coordination. Mark clear cues for the keyboard players, particularly where they double string passages or provide sustained harmonic support. Their presence should be felt rather than heard as separate instrumental colors.
  • Take the expressive trajectory seriously. The work moves from darkness toward light, but this arc requires restraint in the turbulent passages. Resist over-personalizing the struggle; let the score's own architecture create the drama.
  • With an expanded percussion section covering two players, establish who covers which instruments before the first rehearsal. Some doublings will be necessary, and clear assignment prevents scrambling during crucial transitions.

How to use it

This eighteen-minute work functions effectively as a centerpiece concert opener or as the closing work of a concert featuring late-Romantic and early-twentieth-century repertoire. Consider pairing it with other Korngold orchestral works or complementing it with contemporary works by Strauss, Reger, or Schreker to create a programming context that highlights the luxuriance and harmonic sophistication of this particular musical moment in history.

Skills your students will build

  • Reading and executing divided string passages with rhythmic independence
  • Balancing complex chromatic harmony across multiple instrumental sections
  • Coordinating with keyboard and percussion players in passages requiring precise rhythmic alignment
  • Sustaining long melodic lines across harmonic motion that shifts frequently
  • Interpreting expressive directions within a large-scale architectural arc

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