Symphonic Overture (Sursum Corda), Op. 13 Cover Image

Symphonic Overture (Sursum Corda), Op. 13: Full Orchestra Conductor Score

$50.00 USD
Sale price  $50.00 USD Regular price 
Skip to product information
Symphonic Overture (Sursum Corda), Op. 13 Cover Image

Symphonic Overture (Sursum Corda), Op. 13: Full Orchestra Conductor Score

By Erich Wolfgang Korngold

Item: 36-A816601

$50.00
Shipped
One moment…
Description
Erich Wolfgang Korngold (1897-1957) composed his Symphonic Overture (Sursum Corda), Op. 13 in 1919, at the age of twenty-two and during the same period in which he was orchestrating his opera Die tote Stadt. The Latin title Sursum corda ("Lift up your hearts") comes from the ancient liturgy of the Mass and aptly suggests the work's trajectory from turbulent struggle toward an exultant conclusion. Dedicated to Richard Strauss, one of the young Korngold's most important early admirers and artistic influences, the approximately eighteen-minute overture is conceived on a symphonic scale for an exceptionally large orchestra, including divided strings, expanded brass and percussion, two harps, and piano, and represents the culmination of the luxuriant late-Romantic orchestral language Korngold had developed in such earlier works as his Sinfonietta, Op. 5. Sursum Corda received its world premiere on January 24, 1920 in the Großer Saal of the Vienna Musikverein, with the Vienna Symphony Orchestra conducted by Korngold himself. Unlike several of the prodigy-composer's earlier orchestral works, however, it failed to win immediate public acceptance, its dense textures, harmonic complexity, and impassioned rhetoric proving less successful with contemporary audiences. The work nevertheless remained significant to Korngold. After his emigration to the United States and emergence as one of Hollywood's defining symphonic film composers, he reused substantial musical material from Sursum Corda in his Academy Award-winning score for The Adventures of Robin Hood (1938), creating a striking connection between his Viennese concert music and the cinematic style for which he later became famous. Today, Symphonic Overture (Sursum Corda), Op. 13 remains one of Korngold's comparatively rarely performed concert works, overshadowed by the Violin Concerto, Die tote Stadt, and increasingly his Symphony in F-sharp, but recordings and the broader revival of Korngold's concert music have brought renewed attention to its formidable orchestration, Straussian sweep, and importance as a bridge between the composer's youthful Viennese masterpieces and the richly symphonic language of his later Hollywood scores. Instrumentation: 3(3rd dPicc).2+1(EH).3+1(BCl).2+1(CBsn): 4.3+1(BsTpt).3.1: Timp.Perc(2): Hp(4).Pno: Str (9.4-4.3-3.3-3.8 in set). Reprint edition.

Discover MakeMusic Cloud: thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Orchestra Library
Publisher: Edwin F. Kalmus
ISBN13: 979-890-420-5270
UPC: 604634323544
SKU: 36-A816601
Instrumentation: 3(3rd dPicc).2+1(EH).3+1(BCl).2+1(CBsn): 4.3+1(BsTpt).3.1: Timp.Perc(2): Hp(4).Pno: Str (9.4-4.3-3.3-3.8 in set)

More about this title

About the Composer: Erich Wolfgang Korngold

Erich Wolfgang Korngold (1897-1957) was a composer and conductor who achieved fame as a child prodigy in Vienna before becoming one of Hollywood's most celebrated film composers. His early works, written before he turned twenty-five, demonstrated complete command of late-Romantic orchestration and harmonic language; Sursum Corda stands as a pinnacle of this period, earning the admiration of Richard Strauss himself. After emigrating to America in 1938, Korngold shifted his genius toward cinema, scoring films like The Adventures of Robin Hood and The Sea Hawk while continuing to compose concert works that drew on the same rich orchestral palette that defined his youth.

Why we love this

Korngold's command of orchestral color and architectural pacing makes this overture a showcase for ensemble precision and musical maturity. The emotional arc from turbulence to triumph gives orchestras a tangible dramatic goal to work toward, and the large-scale structure offers conductors genuine interpretive choices in phrasing and balance. This is repertoire that rewards meticulous preparation but delivers performances that feel expansive and alive.

What to expect

Dense, shimmering, and intensely dramatic. The overture surrounds you with layers of orchestral sound that shift between brooding and luminous, building from inner turbulence toward a radiant, almost spiritual affirmation. It breathes the world of Viennese concert halls and the musical language Korngold later poured into film scores.

Who it's for

Orchestras with strong string sections, expanded brass capability, and the rehearsal stamina for eighteen minutes of late-Romantic complexity. This work suits ensembles comfortable with Strauss, Ravel, and Respighi, and conductors seeking substantial concert openers that sit outside the standard Germanic symphonic repertoire.

How to get the most out of it

  • Balance the divided strings carefully in the opening; the multiple violin and viola lines create texture rather than volume, so clarity matters more than weight.
  • Mark rehearsal letters for the expanded brass and percussion entrances, as their staggered arrivals build momentum rather than arriving all at once.
  • Shape the two harp parts with attention to their doublings and independent figurations; they anchor harmonic transitions that might otherwise feel muddy in the full texture.
  • Allow the final pages room to breathe despite their energy; the conclusion's exultance comes from lifted dynamics and clear articulation, not from rushing the tempo.

How to use it

Open a concert with this to establish an ambitious, sophisticated evening; its substantial length and emotional range make it a statement piece that audiences remember. Alternatively, pair it with a mid-century American work to illustrate the transatlantic career that defined Korngold's life, or with other Viennese late-Romantic composers to contextualize the harmonic language he inherited and transformed.

Skills your students will build

  • Reading divided string parts across multiple staves
  • Balancing transparent texture in dense harmonic environments
  • Coordination of harp and percussion with sustained melodic lines
  • Shaping long-line phrasing across tonal shifts and modulations
  • Ensemble precision in staggered brass and woodwind entrances

You May Also Like