Suzuki Violin School, Volume 2 (International Edition) (Perf. Hilary Hahn) Cover Image

Suzuki Violin School, Volume 2 (International Edition) (Perf. Hilary Hahn): Digital Audio Download

$15.99 USD
Sale price  $15.99 USD Regular price 
Skip to product information
Suzuki Violin School, Volume 2 (International Edition) (Perf. Hilary Hahn) Cover Image

Suzuki Violin School, Volume 2 (International Edition) (Perf. Hilary Hahn): Digital Audio Download

International Edition

Perf. Hilary Hahn / accomp. perf. Natalie Zhu

Item: 00-AA-0000179

$15.99
Digital Download
Description

Suzuki Violin School, Volume 2 (International Edition) (Perf. Hilary Hahn): Digital Audio Download isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
1 01 Chorus from Judas Maccabaeus --:--
2 02 Musette, Gavotte II or the Musette from English Suite III in G Minor for Klavier, BWV 808 --:--
3 03 Hunters' Chorus from 3rd Act of the Opera Der Freischutz --:--

01 Chorus from Judas Maccabaeus

0:00
0:00
Sample Video
Additional Details
Series: Suzuki Violin School
Publisher: Alfred Music
UPC: 038081363431
SKU: 00-AA-0000179

More about this title

About the Creator: Shinichi Suzuki

Shinichi Suzuki (1898–1998) revolutionized string pedagogy by developing a method centered on learning through listening and repertoire rather than abstract technical exercises. His philosophy treated music education as character development, emphasizing that every child could learn music just as naturally as learning language. The Suzuki method has trained millions of young violinists worldwide and remains one of the most influential approaches to string instruction.

Hilary Hahn, one of the world's most celebrated violinists, brings her refined artistry and technical mastery to these recordings. Her performances on the Suzuki Violin School volumes serve as the listening model for students, offering a clear sonic standard and demonstrating the musical possibilities within each piece.

Why we love this

Hilary Hahn's recordings transform the learning experience by providing a world-class reference performance that students internalize through daily listening. Her phrasing, intonation, and musical maturity show young players what these beloved pieces can sound like when mastered, making the long-term goal tangible and inspiring.

What to expect

Volume 2 opens into a larger musical world than Volume 1. The pieces feel more melodic and expressive, with greater space for interpretation and nuance. Hahn's playing brings warmth and clarity to folk melodies and character pieces, making each one feel like a small discovery rather than an exercise.

Who it's for

This recording is essential for young violinists working through Volume 2 and their teachers. Parents who want to provide consistent, high-quality listening models at home will find these files invaluable for supporting daily practice routines.

How to get the most out of it

  • Listen to Hahn's recording daily, before and after practice sessions, to train your ear to the exact articulation, vibrato, and phrasing that define each piece.
  • Use her tempo as a guide, but don't feel locked to it; once you've internalized the musical shape, explore slight tempo variations to discover what feels natural to your bow and left hand.
  • Notice where Hahn uses vibrato and where she plays without it; this shows the stylistic choices available within the Suzuki repertoire and builds your interpretive awareness.

How to use it

Loop these recordings during the first week of learning each new piece; let students absorb the contours, phrasing, and character before diving into their own practice. Having the download available means consistent access without relying on streaming or YouTube, supporting deeper listening habits at home and in the studio.

Skills your students will build

  • Listening discrimination and pitch matching through repeated exposure to a professional performance model
  • Vibrato placement and control by observing where and how Hahn applies vibrato across the repertoire
  • Musical phrasing and bow management through studying how melody lines are shaped and articulated
  • Intonation refinement by comparing their own tone production to a consistently accurate reference
  • Expression within technical limits by hearing how character and musicality emerge from relatively simple pieces

You May Also Like