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Suzuki Violin School, Volume 2: Violin Book

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Suzuki Violin School, Volume 2: Violin Book

International Edition

By Shinichi Suzuki

Item: 00-0146S

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Description
Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person.

This Suzuki Book is integral for Suzuki violin lessons. This revised edition of the Suzuki Violin School, Volume 2 features:
* Revised editing of pieces, including bowings and fingerings
* 16 additional pages
* Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers
* Text in English, French, German, and Spanish
* Musical notation guide
* Fingerboard position.

Titles: Study Points for Volume 2 * Chorus from Judas Maccabaeus (Handel) * Musette, Gavotte II or the Musette from English Suite III in G Minor for Klavier, BWV 808 (Bach) * Hunters' Chorus from 3rd Act of the Opera Der Freischutz (Weber) * Long, Long Ago (Bayly) * Waltz, Op. 39, No. 15 for Piano (Brahms) * Bourrée from Sonata in F Major for Oboe, HHA IV/18, No. 8 (Handel) * The Two Grenadiers, Die beiden Grenadier, Op. 49, No. 1 for Voice and Piano (Schumann) * Theme from Witches' Dance (Paganini) * Gavotte from Mignon (Thomas) * Gavotte (Lully) * Minuet in G, Wo0 10, No. 2 (Beethoven) * Minuet from Sei Quintetti per Archi No. 11, Op. 11, No. 5 in E Major (Boccherini).

For a complete list of the most recent printings by AMPV number, go to alfred.com/suzuki. This title is available in MakeMusic Cloud.

The International editions include an updated title page that designates the book as the International Edition. A Federation Festivals 2020-2024 selection.

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Additional Details
Series: Suzuki Violin School
Publisher: Alfred Music
Page Count: 36
ISBN10: 0-7390-4812-0
ISBN13: 978-0-7390-4812-2
UPC: 038081308289
SKU: 00-0146S

More about this title

About the Author: Shinichi Suzuki

Shinichi Suzuki (1898, 1998) revolutionized string pedagogy by arguing that musical ability, like language, is developed through environment and consistent exposure rather than inherited talent. His "mother-tongue" approach treats learning music as a natural, joyful process where listening, imitation, and parental involvement form the foundation of instruction. Suzuki's philosophy extended beyond technique; he believed that nurturing a child's musical potential simultaneously develops character, discipline, and sensitivity to beauty.

By the time he established his Talent Education Research Institute in Japan, Suzuki had trained thousands of young violinists to perform at remarkably high levels. His method spread globally and became one of the most widely adopted string curricula in the world, proving that systematic listening and sequential repertoire could unlock potential in nearly every student willing to engage with the work.

Why we love this

Volume 2 balances technical growth with repertoire that genuinely delights young players. The revised edition clarifies bowings and fingerings while adding exercises that address common developmental hurdles, making the jump from Volume 1 feel earned rather than overwhelming. You get 36 pages of carefully curated pieces, Bach, Handel, Schumann, that sound musical even when students are still building their sound.

What to expect

Opening Volume 2 brings a noticeable leap in musical maturity. The pieces, Handel's grandeur, Bach's mathematical elegance, folk melodies dressed in orchestral colors, reward the student's growing technical control with genuinely satisfying repertoire. There's a moment in most young violinists' development when they stop feeling like they're just practicing and start feeling like they're actually playing music; this book marks that transition.

Who it's for

Volume 2 serves students who have completed Volume 1 and are ready to tackle longer forms, wider position shifts, and more sophisticated bowing patterns. It works equally well for private studio teachers following the full Suzuki sequence and for group classes where students need structured, age-appropriate repertoire to build ensemble skills.

How to get the most out of it

  • Return to the listening recordings frequently between lessons. Suzuki students who hear the pieces daily internalize phrasing and intonation far faster than those who only play what's written on the page.
  • Work the study points methodically before moving to the full pieces. These exercises isolate specific technical challenges and prevent students from developing sloppy habits that become harder to fix later.
  • Involve parents in tracking progress through the additional exercises. The Suzuki method depends on consistent home reinforcement, and these supplementary materials give families concrete daily work beyond the main repertoire.
  • Use the multilingual text (English, French, German, Spanish) to clarify teaching points with families who may benefit from their native language. Clear communication about technique and goals strengthens the entire lesson experience.

How to use it

Sequence Volume 2 across your student's second year of study, using the listen-and-imitate process as the engine of daily practice. Group lessons can work selections from this volume alongside Volume 1 students to demonstrate progression and provide performance opportunities. The expanded page count and additional exercises make this volume a logical anchor for a structured 12-month curriculum.

Skills your students will build

  • Reading multiple positions on the fingerboard and shifting securely between them
  • Sustaining bow control across longer phrases and varied bowing patterns (legato, staccato, string crossings)
  • Developing vibrato through guided exercises and model recordings
  • Matching intonation to a recorded reference and training the ear to detect discrepancies
  • Building left-hand independence and finger dexterity through technical studies
  • Interpreting baroque and classical repertoire with appropriate articulation and ornamentation

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