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Suzuki Cello School, Volume 2: Cello Book

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Suzuki Cello School, Volume 2 Cover Image

Suzuki Cello School, Volume 2: Cello Book

International Edition

Item: 00-0481S

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Description
Teach cello with the popular Suzuki Cello School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Cello School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki cello teacher to develop their potential as a musician and as a person. This Suzuki Book is integral for Suzuki cello lessons.

Titles: Long, Long Ago (T. H. Bayly) * May Time, Komm Lieber Mai (Longing for Spring) from Sehnsucht nach dem Frühlinge, K. 96 (W. A. Mozart) * Minuet No. 1, Minuett III from Suite in G Minor for Klavier, BWV 822 (J. S. Bach) * Minuet No. 3, Minuet in C, BWV Anh. II (J. S. Bach) * Chorus from Judas Maccabaeus (G. F. Handel) * Hunters' Chorus from 3rd Act of the Opera Der Freischutz (C. M. von Weber) * Musette in G, Gavotte II or the Musette from English Suite III in G Minor for Klavier, BWV 808 (J. S. Bach) * March in G (J. S. Bach) * Theme from Witches' Dance (N. Paganini) * Tonalization: The Moon over the Ruined Castle (R. Taki) * The Two Grenadiers, Die Beiden Grenadier, Op. 49, No. 1 for Voice and Piano (R. Schumann) * Gavotte (F. J. Gossec) * Bourrée from Sonata in F Major for Oboe and Basso Continuo, HHA IV/18, No. 8-EZ (G. F. Handel).

This title is available in MakeMusic Cloud. For a complete list of the most recent printings by AMPV number, go to alfred.com/suzuki.

The International editions include an updated title page that designates the book as the International Edition. A Federation Festivals 2020-2024 selection.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Suzuki Cello School, Volume 2: Cello Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Suzuki Cello School
Publisher: Alfred Music
Page Count: 20
ISBN10: 0-87487-481-5
ISBN13: 978-0-87487-481-5
UPC: 654979007012
SKU: 00-0481S

More about this title

About the Creator: Shinichi Suzuki

Shinichi Suzuki (1898-1998) was a violinist, pedagogue, and philosopher who fundamentally changed how children learn music. He developed the Suzuki Method based on his observation that children acquire language through listening, imitation, and repetition in a supportive environment. Suzuki believed that musical ability is not innate but developed through consistent exposure and training, and that music education cultivates not just technique but character and human potential.

The Suzuki Cello School applies this philosophy to cello instruction by pairing carefully sequenced repertoire with guided listening and parental involvement. Rather than beginning with abstract exercises, students learn through genuine musical literature arranged at their technical level. The method emphasizes that every child can develop musical ability when given the right environment, supportive instruction, and regular practice.

Why we love this

Volume 2 builds on the foundational patterns established in Volume 1 while introducing substantial baroque and classical works that give students genuine musical achievement to aim for. The repertoire balances recognizable melodies (Long, Long Ago) with masterworks (Bach's minuets and Handel's Judas Maccabaeus), so students experience both immediate gratification and serious musical growth in the same practice cycle.

What to expect

This book opens up the world of baroque and classical music through pieces that feel like real achievements rather than exercises. Students experience the satisfaction of playing recognizable melodies alongside Bach's elegant minuets and the rhythmic drive of the Hunters' Chorus, building confidence and musical taste alongside developing fingers.

Who it's for

Volume 2 is designed for young cellists (typically ages 6-10) who have completed Volume 1 and are ready to expand their technical range and repertoire depth. It works best in a private studio setting where a trained Suzuki teacher can guide students through each piece while parents support daily listening and practice at home.

How to get the most out of it

  • Record yourself playing through the entire book to create a personal reference recording; listen back to spot rhythmic inconsistencies and intonation patterns you may miss while playing.
  • Practice the Bach and Handel pieces separately from the folk songs to develop different interpretive approaches; the minuets reward cleaner articulation and bow control, while the traditional melodies allow for more expressive phrasing.
  • Slow down the tempo on tricky passages (especially the Hunters' Chorus) and isolate just the bow stroke without worrying about left-hand precision; add the left hand back once the right arm feels confident.
  • Use the provided recordings as a learning tool, not a performance model; listen to identify the style of each piece, then make deliberate choices about your own vibrato, dynamics, and character rather than simply copying what you hear.

How to use it

Use Volume 2 as the core curriculum for early-stage private cello instruction, moving through the pieces sequentially while students build listening habits through the accompanying recordings. Students can begin sharing pieces from this volume in studio recitals once they've reached the midpoint, creating natural performance milestones throughout the year.

Skills your students will build

  • Bow control across longer phrases and varying dynamics
  • Left-hand intonation in higher positions
  • Reading dotted rhythms and rhythmic figures common to baroque music
  • Understanding musical style and character through contrasting period pieces
  • Sustaining tone quality through extended note values
  • Listening discrimination and musical memory

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