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Structures: Concert Band Conductor Score & Parts

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Structures Cover Image

Structures: Concert Band Conductor Score & Parts

By Roland Barrett

Grade: 2 (Easy)

Item: 00-35372

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Description
Structures is inspired by the legendary "Standing Stone" structures located near the village of Callanish on the Western Isles of Scotland. Roland Barrett captures the majesty of these monolithic structures with this stirring contemporary new addition to the developing band repertoire. Bravo! This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Structures: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Young Band
Publisher: Alfred Music
Page Count: 244
UPC: 038081411057
SKU: 00-35372

More about this title

About the Composer: Roland Barrett

Roland Barrett

Roland Barrett has shaped generations of young musicians through his work at the University of Oklahoma, where he has taught music theory and composition since 2001. Before joining the faculty, he spent fifteen years as Assistant Director of Bands, experience that deeply informs his approach to writing accessible yet musically substantial concert band repertoire.

Barrett's catalog exceeds two hundred published works for symphonic band, chamber ensembles, and marching band. His compositions have earned recognition from the ASCAPlus organization multiple times and have been performed by the Dallas Wind Symphony, All-State honor groups, and featured on NPR and at major music conventions. He continues to arrange for the Pride of Oklahoma marching band, maintaining active engagement with the performance world alongside his academic teaching.

Why we love this

Barrett's gift for programmatic clarity at this grade level means students experience genuine musical storytelling without struggling through dense harmony or complex rhythmic demands. The connection to an actual landscape (the Callanish Stones) gives your band a concrete focal point for interpretation and discussion, transforming a concert piece into a cultural and geographical learning moment.

What to expect

Structures evokes the weight and stillness of ancient stone monuments, with a sense of timeless majesty that emerges through clear melodic lines and deliberate harmonic movement. The music builds emotional presence through accumulation and tonal color rather than technical virtuosity, creating a contemplative yet stirring atmosphere that captures the presence of these legendary Scottish landmarks.

Who it's for

Grade 2 concert bands seeking repertoire that combines accessible instrumentation and straightforward technical demands with meaningful musical content. This work suits bands preparing for festival competition, fall or winter concert programming, or any ensemble wanting to expand beyond purely abstract concert pieces into programmatic literature.

How to get the most out of it

  • Shape the melodic phrases to suggest the standing stones themselves: allow the music to rise and settle with architectural dignity rather than rush forward.
  • Balance the layers so that the thematic material cuts through clearly; at Grade 2, ensemble blend matters more than thick, blended sonority.
  • Use the programmatic context during rehearsal to unlock expressive phrasing; ask students what 'ancient' and 'monumental' sound like before drilling technique.

How to use it

Program this as a centerpiece in a concert focused on cultural or geographical themes, pairing it with other place-inspired works or folk traditions. It works equally well as a festival entry point for Grade 2 bands stepping into more sophisticated programmatic territory, or as a thoughtful opening or closing piece that establishes a concert's emotional foundation.

Skills your students will build

  • Sustaining lyrical lines and managing phrase shape without relying on technical display
  • Ensemble balance and blend across Grade 2 instrumentation
  • Responding to programmatic intent through expressive interpretation
  • Maintaining tuning and ensemble cohesion at moderate tempos with sustained passages

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