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Strings on the Housetop: String Orchestra Conductor Score & Parts

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Strings on the Housetop Cover Image

Strings on the Housetop: String Orchestra Conductor Score & Parts

By Benjamin R. Hanby / arr. Timothy Loest

Grade: 1

Item: 98-ST6478

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Description
You've heard of a fiddler on the roof? Well, how about an orchestra on the housetop! Feature the entire string orchestra, section by section, at your next winter concert (even bassists, who are cued in the cello line). Using just six notes, this new arrangement of an old holiday favorite is cleverly scored to sound rich and full. Optional percussion adds to the festivities. A perfect format for bolstering group confidence while promoting section independence!

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
UPC: 241444400036
SKU: 98-ST6478

More about this title

About the Composer: Benjamin R. Hanby

Benjamin R. Hanby (1833-1867) was a prolific songwriter and composer whose work bridged parlor song traditions and popular music of the mid-nineteenth century. Though his life was short, he left an enduring mark on American musical culture, composing dozens of songs that became fixtures in homes and concert halls alike.

Hanby's melodies are marked by their accessibility and warmth, making them ideal subjects for educational arrangements. His most celebrated composition remains instantly recognizable to generations of musicians and audiences, demonstrating the staying power of well-crafted, singable music.

Why we love this

Timothy Loest's arrangement strips away complexity while preserving the melody's charm, making this a genuine confidence builder for young string players. The scoring strategy of introducing sections gradually and cueing even the bass line into the cello part ensures no one sits idle, and the optional percussion option lets you scale the festive texture to match your ensemble's size and skill level.

What to expect

Playful and bright, this arrangement captures the whimsy of its title without resorting to cuteness. The piece unfolds like a musical joke that lands perfectly: a familiar melody emerges from the simplest harmonic ingredients, transformed by orchestral color and good humor into something that feels surprisingly full.

Who it's for

This arrangement is built for Grade 1 string orchestras ready to step into ensemble textures but still developing security in intonation and rhythm. It works equally well for a mixed-level group where younger players gain confidence from the straightforward voicing while more advanced musicians focus on ensemble balance and phrasing.

How to get the most out of it

  • Balance the melody across first violins and violas as they trade the tune; use rehearsal time to ensure the supporting sections hear when they're providing harmonic color versus rhythmic foundation.
  • If adding the optional percussion, keep it light and buoyant rather than driving. This isn't a march; let the strings breathe and carry the musical weight.
  • Articulation clarity matters more than volume at this level. Have each section focus on uniform bow speed and attack so the six-note palette sounds intentional rather than sparse.
  • Light vibrato (or none at all, depending on your program level) keeps the sound open and bright, especially important since the arrangement relies on transparency rather than density.

How to use it

Place this as a mid-concert palate cleanser in your winter program, where it can follow something more serious and set up a festive second half. The contest/festival designation also makes it a smart choice for building repertoire that showcases section strength and intonation development in a low-pressure musical context.

Skills your students will build

  • Section independence and listening to harmonic structure
  • Balancing multiple melodic and accompanimental roles
  • Playing sustained notes with tone control and consistency
  • Reading and responding to sectional cues and part independence

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