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String Builder, Book Three: Piano Acc. (Instrumental) Book

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String Builder, Book Three Cover Image

String Builder, Book Three: Piano Acc. (Instrumental) Book

A String Class Method (for Class or Individual Instruction)

By Samuel Applebaum

Item: 00-EL01555

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Description
The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book is realistically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompaniment, and teacher's manual.

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Additional Details
Series: Belwin Course for Strings
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-3198-5
ISBN13: 978-0-7692-3198-3
UPC: 029156200683
SKU: 00-EL01555
Instrumentation: Piano Acc.

More about this title

About the Author: Samuel Applebaum

Samuel Applebaum was a violinist, composer, and pedagogue whose string method books became foundational texts in American music education. His systematic approach to teaching strings emphasized musical literacy and ensemble playing from the earliest stages, making him influential in shaping how generations of students learned to read and play together.

Applebaum believed that students learn best when presented with interesting melodies and realistic technical progressions. His String Builder series reflects this philosophy, combining purposeful technique building with repertoire that engages young musicians rather than merely drilling mechanics.

Why we love this

This accompaniment book is built on decades of proven classroom pedagogy. The piano parts support the string voices without overwhelming them, allowing accompanists to lock in with developing ensembles while the graded progression ensures you can use Books One, Two, and Three in sequence without gaps or sudden jumps in difficulty.

What to expect

The pieces move with purpose and forward momentum. Melodies breathe naturally, supported by piano writing that feels like a collaborative partner rather than a solo instrument playing alongside strings. The harmonic language is straightforward but never bland, giving accompanists something musically satisfying to play while staying accessible to student performers.

Who it's for

Piano accompanists working with string class ensembles at the intermediate level who need reliable, pedagogically sound support material. Directors seeking a comprehensive method that keeps all four string instruments reading together benefit from having a pianist who can follow this same graded sequence.

How to get the most out of it

  • Blend your dynamic level to match the string section's natural sound production at each level; younger students need lighter accompaniment support, while Book Three groups can handle richer harmonic textures.
  • Coordinate with your string players on tempo by watching their bow preparation; the rhythmic clarity in your comping will anchor their ensemble timing.
  • Use the melodies printed in your part as a listening reference so you can anticipate phrase shapes and support cadences with gentle harmonic weight rather than driving through them.

How to use it

Use this accompaniment book to support regular string class rehearsals and blend ensemble performances into your concert calendar without additional rehearsal overhead. The method's design allows you to progress through all three books across a multi-year string program, creating a cohesive learning arc with consistent pedagogical principles and the accompanist growing alongside the players.

Skills your students will build

  • Accompanying student string ensembles with stylistically appropriate harmonic support
  • Reading and responding to developing string players' tempo and phrasing
  • Coordinating with four different string instruments reading at the same grade level
  • Supporting left-hand technique development through rhythmic clarity and phrase anchoring

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