String Builder, Book Three Cover Image

String Builder, Book Three: Cello Book

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String Builder, Book Three Cover Image

String Builder, Book Three: Cello Book

A String Class Method (for Class or Individual Instruction)

By Samuel Applebaum

Item: 00-EL01558

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Description
The Belwin String Builder is a string class method in which the violin, viola, cello, and bass play together throughout. Each book, however, is a complete unit and may be used separately for class or individual instruction. The material in this book is realistically graded so that only a minimum of explanatory material is required. Each melody is interesting and will provide the basis for a fine left hand technic and bow arm. Available in three levels for violin, viola, cello, bass, piano accompaniment, and teacher's manual.

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Additional Details
Series: Belwin Course for Strings
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7692-3120-9
ISBN13: 978-0-7692-3120-4
UPC: 029156169027
SKU: 00-EL01558
Instrumentation: Cello

More about this title

About the Author: Samuel Applebaum

Samuel Applebaum was a prolific composer and pedagogue whose string method books shaped generations of young musicians. His systematic approach to string instruction emphasized musical growth alongside technical development, believing that students learned best through engaging melodies rather than dry exercises.

Why we love this

Applebaum's graded progression feels natural rather than forced, with each melody serving double duty as both a musical experience and a technical builder. The cello book works beautifully on its own for individual study or as part of a heterogeneous ensemble, giving you flexibility in how you structure your program.

What to expect

Book Three maintains the methodical warmth of the series while introducing more expressive melodic material. You'll find yourself playing genuine musical ideas, not just technical patterns, which builds the confidence that comes from performing something that genuinely sounds like music.

Who it's for

Cellists in their third year of study or those moving from Book Two who are ready to tackle more sophisticated left-hand positions and bow techniques. This book serves both group string classes and private studio teachers looking for repertoire-based instruction.

How to get the most out of it

  • Balance the cello line's natural warmth with clarity in the upper positions; the melodies are written to sing, so avoid a thin or tentative tone even in passage work.
  • Attend closely to bow distribution on longer note values to maintain consistent vibrato development and support legato phrasing.
  • When playing alongside violin, viola, and bass parts, listen for the overall ensemble blend rather than leading; your role anchors the harmonic foundation.

How to use it

Use this as your core cello curriculum across an academic year or semester, progressing through it alongside Books One and Two in your other string sections. The compatible instrumentation means heterogeneous ensembles can read and perform these pieces together, creating natural performance opportunities without extra arrangement work.

Skills your students will build

  • Left-hand facility and intonation in higher positions
  • Bow control and tone production across dynamic ranges
  • Legato phrasing and musical interpretation
  • Sight-reading in varied meters and rhythmic contexts
  • Ensemble listening and blend within a string section

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