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Startin' to Rain: SoundTrax Digital Audio Download

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Startin' to Rain Cover Image

Startin' to Rain: SoundTrax Digital Audio Download

Words by Herb Frombach, music by Vicki Tucker Courtney

Item: 00-A-00015157

$24.95
Digital Download
Description

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00015157

More about this title

About the Composer: Vicki Tucker Courtney

Vicki Tucker Courtney

Vicki Tucker Courtney started piano lessons at age four and built a foundation in classical technique that would shape her entire career. Her time at North Texas State University deepened her skills in choral accompanying and composition, experiences that led to a prolific output across multiple genres and ensembles: choirs, piano, handbells, and solo voice. She has been recognized repeatedly by ASCAP for her contributions to music publishing and studied composition under the mentorship of Dove Award winner Mark Hayes in 2002 and 2004.

Courtney's publishing trajectory speaks to her steady creative output. By 2009, she had reached 100 published titles; by 2017, that number had grown to over 350. Her work reflects decades of experience as a church musician, accompanist, and private piano and composition instructor. She currently resides in Columbia, Tennessee and continues to compose full time.

Why we love this

Courtney writes for singers with accessible ranges and flexible voicing options that work across ability levels without sacrificing musical integrity. The combination of a spiritual message paired with contemporary harmonic language gives directors a piece that feels current while remaining rooted in choral tradition. Having recorded accompaniment available lets singers hear the harmonic context immediately, which accelerates learning and builds confidence in rehearsal.

What to expect

The piece captures a moment of spiritual anticipation and hope, with harmonic language that feels both familiar and gently surprising. The title sets up an image of weather gathering, creating a sense of gentle building toward something inevitable and life-giving. Singers often report that the music feels natural in their voices and emotionally honest.

Who it's for

Choirs of all sizes and experience levels will find this accessible and singable. Directors looking for sacred repertoire with contemporary warmth and harmonic sophistication will appreciate Courtney's balance between approachability and musical substance. This works equally well in church settings, concert performances, or educational showcases.

How to get the most out of it

  • Establish the rhythmic character from the opening measure by having the rhythm section lock in before full choir entry.
  • Balance the recorded accompaniment so it supports rather than overwhelms the singers; many directors set it at 60-70% volume during rehearsal and gradually fade it down as confidence builds.
  • Shape dynamic contours around textual meaning; listen for moments where the spiritual message peaks and let those moments breathe with increased intensity.
  • Use the instrumental parts to strengthen inner voice security if your ensemble has limited rehearsal time; doubling one line with a small instrumental group can clarify harmonic movement.

How to use it

Position this as a centerpiece for a sacred concert or as a strong closer for a spirituals/contemporary worship program. It pairs well with traditional hymn-based arrangements and with other Courtney compositions that share similar harmonic sophistication. The recorded accompaniment makes it an excellent choice for spring concerts or services where rehearsal time is limited.

Skills your students will build

  • Singing sustained notes with consistent tone quality over harmonic changes
  • Listening to and blending with recorded accompaniment
  • Interpreting spiritual and sacred text with emotional authenticity
  • Following dynamic and expressive markings that emphasize textual meaning
  • Maintaining vocal independence when inner parts carry thematic material

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