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Startin' to Rain: SATB Choral Octavo

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Startin' to Rain Cover Image

Startin' to Rain: SATB Choral Octavo

Words by Herb Frombach, music by Vicki Tucker Courtney

Item: 00-31099

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Description
This swingin' spiritual warns "Floodwaters comin'," so it's time to "build an ark, Noah!" Excitement intensifies as the music swells to a big finish! Appropriate for school or church use.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Startin' to Rain: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 8
UPC: 038081338712
SKU: 00-31099

More about this title

About the Composer: Vicki Tucker Courtney

Vicki Tucker Courtney

Vicki Tucker Courtney began piano study at age four and continued her musical training at North Texas State University, where she developed her skills as a choral accompanist alongside her classical studies. Her prolific career spans composing and arranging for choirs, piano, handbells, and solo voice, with recognition including multiple ASCAP Plus Awards and mentorship from Dove Award winner Mark Hayes. By 2009, she had published 100 titles; that number grew to over 350 by 2017, reflecting a sustained commitment to writing music across multiple genres and skill levels.

Courtney has performed in traditional and contemporary church settings and continues to teach piano and composition to students of all ages. Her work demonstrates deep understanding of both the capabilities and needs of school and church choirs, making her compositions accessible without sacrificing musical integrity. She resides in Columbia, Tennessee.

Why we love this

Courtney taps into the spiritual tradition with genuine rhythmic energy and harmonic interest that keeps singers engaged without overwhelming them. The narrative arc from warning to action creates natural pacing across the piece, and that final swell gives your singers something substantial to build toward. It's the kind of spiritual arrangement that works equally well in concert, worship, or festival settings.

What to expect

Swinging and spirited, with the kind of infectious energy that makes listeners lean in to catch the warning. The musical momentum builds from a conversational urgency into something joyful and inevitable, capturing both the caution and the faith embedded in the biblical narrative.

Who it's for

This arrangement suits developing to intermediate choirs in school or church contexts who can handle syncopated rhythms and part independence. Singers need basic part security and comfort with spiritual idiom, but no soloists are required.

How to get the most out of it

  • Emphasize the swing feel throughout to maintain the playful character of the text; it's a warning with humor, not gravitas.
  • Balance the lower voices carefully during the verses so the harmonic movement remains clear without drowning out the soprano line.
  • Bring the dynamic intensity steadily upward toward the finish, using the recorded accompaniment as a pacing reference if your ensemble needs a tempo anchor.
  • Articulate the text "Floodwaters comin'" crisply across all sections so the story lands clearly before the music expands.

How to use it

Program this as a concert opener or closer where you want immediate audience engagement, or slot it into a spiritual-themed concert alongside deeper or slower arrangements to provide rhythmic contrast. It also serves well in worship settings where contemporary energy feels appropriate.

Skills your students will build

  • Singing with swing feel and syncopation
  • Maintaining independence in four-part harmony while managing rhythmic complexity
  • Narrative storytelling through text expression
  • Dynamic shaping and phrase building across a complete musical arc
  • Balance and blend in spirited, rhythmically active writing

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