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Starlight: Choral Octavo SoundTrax CD

$27.99 USD
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Starlight Cover Image

Starlight: Choral Octavo SoundTrax CD

(Shining on the Baby)

Words and music by Sally K. Albrecht and Jay Althouse

Item: 00-45417

$27.99
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Description
A symbolic ascending fifth opens the main melodic idea in this bright original for Christmas. Taking inspiration from "Angels We Have Heard on High," the chorus moves in a new harmonic direction, while a brief bridge quotes the traditional carol. Simply stellar! Appropriate for both school and church.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081511573
SKU: 00-45417

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for over three decades, moving from conducting honor choirs at major venues like Lincoln Center and Carnegie Hall to leading choral publications at Alfred Music. A consistent ASCAP Special Music Award recipient since 1987, she has published more than 600 choral works alongside 75 larger songbooks and musicals that continue to fill rehearsal rooms across schools and churches nationwide.

Educated at Rollins College (B.A. in Music and Theater, 1976) and the University of Miami Frost School of Music (M.A. in Drama, 1977; M.M. in Accompanying, 1979), Albrecht has taught at Oakland University, Jersey City State College, and Meredith College. She served as Chair of the Board of Trustees for the Omicron Delta Kappa National Leadership Honor Society and received their "Pillar of Leadership" award. In 2021, both the University of Miami Frost School of Music and Rollins College honored her with Distinguished Alumna awards. She and her composer/arranger husband, Jay Althouse, reside in Wake Forest, North Carolina.

Why we love this

Albrecht and Althouse craft a piece that feels fresh without abandoning the warmth of a Christmas carol. The ascending fifth that opens the work catches attention immediately, and the harmonic reinterpretation of "Angels We Have Heard on High" in the chorus gives singers new material to sink their teeth into while audiences recognize the familiar touchstone. Directors will appreciate how the bridge quotes the traditional carol directly, creating a satisfying musical moment that connects both old and new.

What to expect

Starlight opens with purpose and upward motion, inviting singers and listeners into a familiar carol reimagined. The combination of the new harmonic language and the quoted melody creates a sense of discovery, as though you're hearing "Angels We Have Heard on High" through fresh ears and discovering why it endures.

Who it's for

Choirs ranging from middle school through adult level will find this piece accessible and engaging. It works equally well in school and church settings, making it ideal for holiday programs that serve diverse audiences and need material that feels both contemporary and rooted in tradition.

How to get the most out of it

  • Shape the opening ascending fifth with clear intonation and deliberate phrasing; this interval sets the character for the entire piece and deserves precision from the first note.
  • Highlight the harmonic shift in the chorus by adjusting vowel placement and blend as the chord progression moves in its "new direction." Small adjustments in resonance can make the harmonic reinvention audible.
  • Use the recorded accompaniment to anchor the bridge quotation of "Angels We Have Heard on High," allowing singers to focus on balancing the traditional melody against any new material happening simultaneously.
  • Balance brightness with control throughout; the "stellar" character works best when voices have presence without strain.

How to use it

Slot this piece alongside other Christmas selections that blend tradition with modern arranging; it works well as either a closing number or a centerpiece that bridges classical carols and contemporary settings. The SoundTrax CD makes it an excellent choice for programs with limited accompaniment resources or as a confidence builder for singers preparing a live performance.

Skills your students will build

  • Singing ascending and descending intervallic passages with secure intonation
  • Responding to harmonic reharmonization without losing musical grounding
  • Blending unfamiliar harmonic language with familiar melodic references
  • Maintaining stylistic consistency across shifts between original and traditional material
  • Following recorded accompaniment while maintaining independent vocal line integrity

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