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Star Eyes: Jazz Ensemble Conductor Score

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Star Eyes: Jazz Ensemble Conductor Score

Words by Don Raye, music by Gene Depaul / arr. Dave Wolpe

Grade: 3 (Medium)

Item: 00-41125S

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Description
Another outstanding, swingin' chart from the expert Dave Wolpe. A great tune at 152 BPM, fat ensemble voicings, nice solis, written-out solos for trumpet 2 and piano, and optional parts to include vibes. What's not to like? (2:40) This title is available in MakeMusic Cloud.

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Additional Details
Series: Jazz Band Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081474878
SKU: 00-41125S

More about this title

About the Composer: Don Raye

Don Raye was a prolific songwriter and composer who worked extensively in Hollywood during the 1940s and 1950s, crafting music for film and popular entertainment. His collaborations with composer Gene DePaul produced several standards that have become staples of the jazz repertoire, including the swinging original that forms the foundation of this chart.

Why we love this

Dave Wolpe's arrangement captures everything that makes this tune sing: the ensemble voicings are rich without overwhelming the soloists, and the written-out solo sections for trumpet 2 and piano give students a roadmap into the jazz language without requiring full improvisation skills. It's the kind of chart that sounds impressive in performance while remaining genuinely playable for a working jazz ensemble.

What to expect

Smooth, propulsive swing with just enough sophistication to command attention. The ensemble voicings are warm and cohesive; soloists get space to breathe over a solid rhythmic foundation. There's joy in the writing—it never feels strained or over-arranged.

Who it's for

Jazz ensembles at the intermediate level who can handle a straightforward swing feel and want a tune that sounds contemporary and polished without excessive complexity. Directors programming contests or festivals will find this fits Grade 3 expectations cleanly.

How to get the most out of it

  • Lock the rhythmic pocket at 152 BPM during ensemble hits; the precision in the section voicings depends on tight time.
  • Balance the trumpet 2 solo so the melody sings above the ensemble cushion without the full band pulling focus.
  • Shape the written piano solo with dynamic contrast; treat comping figures and melody lines as separate storytelling layers.
  • Use the vibes parts strategically for color and texture rather than doubling existing material; let them breathe in the arrangement.

How to use it

This works well as a mid-set feature in a jazz concert or contest, pairing naturally with other medium-difficulty swinging standards. The 2:40 length fits neatly into a longer program without dominating a contest slot, leaving room for contrasting tempos or styles elsewhere.

Skills your students will build

  • Reading and executing medium-tempo swing feels (152 BPM)
  • Interpreting jazz articulation and phrasing in ensemble voicings
  • Following written solo forms and melodic structures
  • Balancing ensemble texture with featured soloists
  • Reading optional parts and managing larger ensemble arrangements

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