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Star Dust: Concert Band Conductor Score

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Star Dust: Concert Band Conductor Score

Vocal Solo (Optional E-Flat Alto Saxophone or B-Flat Clarinet or B-Flat Trumpet) with Concert Band Acc.

Words by Mitchell Parish, music by Hoagy Carmichael / arr. Warren Barker

Grade: 4 (Medium)

Item: 00-CBM01008C

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Description
This lush melody has been added to the Warren Barker Vocal Showcase Series. Charming and distinct, the vocal part for any vocalist, male or female, can also be performed as an instrumental solo. Extremely versatile and highly musical, you just can't go wrong.

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Additional Details
Series: Pop Symphonic Band
Publisher: Alfred Music
Page Count: 16
UPC: 654979995562
SKU: 00-CBM01008C

More about this title

About the Composer: Hoagy Carmichael

Hoagy Carmichael (1899-1981) was one of America's most prolific songwriters, composing over 500 songs that became standards of American popular music. His melodies blend jazz sensibility with Tin Pan Alley craftsmanship, creating works that have endured across generations of performers and arrangements. Carmichael's songs appear regularly in concert band and choral repertoire because they combine accessibility with genuine musical depth.

Beyond composition, Carmichael was an accomplished pianist and occasional actor, which gave him practical insight into how songs function across different performance contexts. His ability to write memorable melodies that work equally well for vocalists, instrumentalists, and ensembles made his catalog invaluable to music educators seeking repertoire that engages students and audiences alike.

Why we love this

Warren Barker's arrangement captures everything that makes Carmichael's melody timeless while giving your concert band real musical work to do. The flexibility to feature a vocalist or instrumentalist soloist transforms a standard into an event, and the lush harmonic setting lifts the ensemble beyond typical pops fare without demanding advanced technique.

What to expect

Dreamy and sophisticated, with the kind of warm, nostalgic quality that great American songs carry. The harmony shimmers beneath the melody, evoking a slow dance under soft light, and the arrangement invites both ensemble and soloist into a conversation that feels natural and unhurried.

Who it's for

Concert bands at the intermediate level who want to program a recognizable, engaging piece without oversimplifying the arrangement. This works for groups seeking accessible vocal or instrumental features that still offer musical substance to the ensemble.

How to get the most out of it

  • Balance the solo line so it sings over the ensemble without the band pushing dynamics. The charm of this arrangement relies on the soloist being heard clearly in every phrase.
  • Shape the ensemble chords to support the lyrical contour of the melody. Think of your band as providing a musical cushion that breathes with the soloist.
  • If using an instrumental soloist, encourage them to approach the melody with vocal phrasing rather than instrumental articulation. The piece is written for singers first, and that character should remain.
  • Rehearse the band with a recorded version or your own demo so players understand the swing and rubato inherent in the jazz-influenced harmony.

How to use it

Place this as a feature within a concert program that mixes standards with original band compositions. It works beautifully as a second-half opener, giving the audience a moment of recognition before moving into more ambitious works, and it's especially effective when you can showcase a strong soloist from your student body or guest performer.

Skills your students will build

  • Playing with flexibility and rubato within a jazz-influenced harmonic context
  • Balancing dynamic support around a featured soloist
  • Interpreting swing feel and jazz articulation in a concert setting
  • Responding to a vocalist's or instrumentalist's phrasing while maintaining ensemble cohesion

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