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Star Dust: Concert Band Conductor Score & Parts

$87.00 USD
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Star Dust Cover Image

Star Dust: Concert Band Conductor Score & Parts

Vocal Solo (Optional E-Flat Alto Saxophone or B-Flat Clarinet or B-Flat Trumpet) with Concert Band Acc.

Words by Mitchell Parish, music by Hoagy Carmichael / arr. Warren Barker

Grade: 4 (Medium)

Item: 00-CBM01008

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Description
This lush melody has been added to the Warren Barker Vocal Showcase Series. Charming and distinct, the vocal part for any vocalist, male or female, can also be performed as an instrumental solo. Extremely versatile and highly musical, you just can't go wrong.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Star Dust: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Symphonic Band
Publisher: Alfred Music
Page Count: 166
UPC: 654979995555
SKU: 00-CBM01008
Instrumentation: Optional E-flat Alto Saxophone or B-flat Clarinet or B-flat Trumpet with Concert Band Acc.

More about this title

About the Composer: Hoagy Carmichael

Hoagy Carmichael (1899-1981) was one of America's most prolific songwriters, composing over 400 songs that became standards in jazz, popular music, and film. His melodies are known for their natural lyricism and harmonic sophistication, qualities that have made his work endure across generations of musicians and audiences.

Carmichael's influence on American music extends beyond composition; his songs have been recorded by countless artists across genres and remain central to the Great American Songbook repertoire that music educators use to develop musicality and cultural literacy in their ensembles.

Why we love this

Warren Barker's arrangement honors Carmichael's elegant melody while giving concert bands a genuinely singable feature that works equally well as an instrumental solo. At Grade 4, this sits in that sweet spot where the writing is sophisticated enough to sound mature and polished without overwhelming developing musicians. The flexibility to feature any of three solo instruments means you can cast the piece to your strengths and feature soloists across your section.

What to expect

Nostalgic and gently swinging, with the warmth of a classic ballroom or jazz standard translated into concert band sonority. The arrangement wraps the solo melody in lush, colorful harmonies that feel inviting rather than heavy.

Who it's for

Concert bands looking to program a feature that showcases a strong soloist while offering the ensemble music that sounds sophisticated and modern. This works equally well in a concert setting, jazz showcase, or educational context where you want to teach the sound and harmonic language of the American songbook.

How to get the most out of it

  • Shape the melodic line with careful attention to phrase breathing; the lush harmonization in the band can easily obscure the soloist's lyrical intent if the ensemble doesn't listen and support dynamically.
  • Balance the solo voice or instrument to sit naturally above the band without requiring extreme dynamic contrast; Barker's orchestration is designed to accompany, not compete.
  • Work the band's harmonic support with sensitivity to the standard jazz voicings underneath the melody; this arrangement assumes players understand that this is stylistic music, not classical orchestral writing.

How to use it

Pair this with other pop symphonic arrangements to build a first-half set that emphasizes American songwriting and vocal music traditions, or use it as a palate-cleansing feature between heavier contemporary works. The accessibility and maturity of the writing make it equally at home in a community concert, school holiday program, or festival performance.

Skills your students will build

  • Supporting a soloist with ensemble balance and dynamic flexibility
  • Playing jazz-influenced harmonic voicings with idiomatic phrasing
  • Responding to lyrical, song-like melodic expression in a concert band setting
  • Ensemble listening and sectional blend at Grade 4 complexity

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