Spring Song Cover Image

Spring Song: SATB Choral Octavo

$2.60 USD
Sale price  $2.60 USD Regular price 
Skip to product information
Spring Song Cover Image

Spring Song: SATB Choral Octavo

Words by Paul Laurence Dunbar, music by Brian Kehlenbach

Item: 00-52170

Need it now?

Buy Digital Version
$2.60
Shipped

One moment…

Description
"Life is brimming everywhere" in this cheerful setting of a text by Paul Lawrence Dunbar, one of the first influential Black poets in American literature. Madrigal-like vocal lines are accompanied by a supportive piano part, creating harmonies as warm as spring itself. The light and breezy refrain is contrasted with an espressivo section, which may be sung a cappella and concludes with an optional solo. A lovely lift for any concert or festival.

Spring Song: SATB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Lawson-Gould
Publisher: Alfred Music
Page Count: 16
UPC: 038081607481
SKU: 00-52170

More about this title

About the Composer: Brian Kehlenbach

Brian Kehlenbach

Brian Kehlenbach brings together three distinct musical identities: composer, educator, and performer. His training spans both classical and jazz traditions, with degrees from the University of Connecticut and a Doctor of Musical Arts from USC. His works have been heard at major venues including Carnegie Hall, the LA Philharmonic's Green Umbrella series, and festivals across the country.

At Santa Ana College, where he serves on the faculty in the Music Department, Kehlenbach has shaped the program as former Department Chair and Interim Dean of Fine and Performing Arts. His compositional voice reflects his wide-ranging background, blending jazz harmonies with classical structures and contemporary sounds into writing that is rhythmically propulsive and genuinely eclectic.

Why we love this

Kehlenbach's setting captures the genuine warmth of Dunbar's text without sentiment or oversimplification. The madrigal-style vocal writing sits comfortably across SATB ranges while the optional a cappella section and solo provide natural moments for individual voices to shine, making this repertoire that rewards singers while remaining accessible.

What to expect

Sunlight and air define this piece. The opening invites listeners in with its lightness and forward motion, then deepens into something more reflective and intimate before brightening again. There is intelligence in the writing without pretense, warmth without saccharine quality.

Who it's for

This octavo works for choirs seeking literate, approachable repertoire with genuine artistic substance. It suits programs that want to celebrate American poetry and composers while offering performers something musically engaging without excessive technical demands.

How to get the most out of it

  • Balance the piano accompaniment carefully during the madrigal sections so it supports rather than overwhelms the voice parts; these passages thrive when the harmonic motion feels conversational.
  • Approach the espressivo section with attention to the shift in character, treating it almost as an interlude before the concluding material; ensemble cohesion matters here more than in the breezy refrain.
  • If using the optional solo, select a vocalist whose sound blends naturally with the choir and brief them on the textual continuity between the a cappella passage and their moment forward.

How to use it

Program this after a heavier or more dramatic selection to provide contrast and emotional reset within a concert arc. It also works beautifully in festival contexts where judges can hear how your choir handles stylistic flexibility, moving between the breezy and the contemplative with equal conviction.

Skills your students will build

  • Madrigal-style voice leading and part independence
  • Shifting between homophonic (a cappella section) and more complex harmonic textures
  • Expressive singing with clear textual communication
  • Balance and blend across SATB ranges with piano support

You May Also Like