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Sound Performance for Young Musicians: Piano Accompaniment Book & Online Audio

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Sound Performance for Young Musicians Cover Image

Sound Performance for Young Musicians: Piano Accompaniment Book & Online Audio

43 Flexible Solos, Duets, and Trios for Winds & Percussion

By Chris M. Bernotas

Item: 00-51348

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Description
Sound Performance for Young Musicians, by Chris Bernotas and Jim Palmer, is a versatile collection offering performance opportunities for students towards the end of their first year of instruction and beyond. Designed to inspire confidence and musicality as well as musical independence, all of the pieces can be performed as solos, duets, or trios, with or without piano accompaniment.

Featuring a diverse mix of folk songs, classical themes, holiday favorites, and patriotic tunes, these arrangements are ideal for solo performances, chamber concerts, or as a refreshing addition to regular concert programs. Notes and rhythms are limited to those used in most beginning method books. Free access is included for the practice tools in SI Online, featuring full-performance recordings, piano accompaniments, and minus-one tracks for playing along as a solo or part of a trio. Tracks can be slowed down, sped up, and looped.

This collection is an essential addition to any library, providing a fun and rewarding experience for students of all ages!

The series is available for flute/oboe * clarinet / bass clarinet * alto/baritone saxophone / alto clarinet * tenor saxophone * trumpet / euphonium T.C. * horn in F * trombone / bassoon / euphonium B.C. * tuba * percussion * violin * viola * cello/bass * piano accompaniment as well as teacher's scores for winds and strings. Because of grade-level considerations regarding keys and instrument ranges, the arrangements in the wind/percussion instrument series are not compatible with those in the string instrument series.

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Sample Pages

Sample Audio
1 09 The Rakes of Mallow - Woodwinds - Line A Solo with Piano - Performance --:--
2 17 Las Mañanitas - Woodwinds - Trio - Performance --:--
3 33 Up on the Housetop - Woodwinds - Trio with Piano - Performance --:--

09 The Rakes of Mallow - Woodwinds - Line A Solo with Piano - Performance

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Additional Details
Series: Sound Innovations Sound Performance for Band
Publisher: Alfred Music
Page Count: 44
ISBN10: 1-4706-7109-3
ISBN13: 978-1-4706-7109-9
UPC: 038081592282
SKU: 00-51348

More about this title

About the Composer: Chris M. Bernotas

Chris M. Bernotas

Chris M. Bernotas directs instrumental publications for Alfred Music, where he shapes curriculum and repertoire for band and orchestra programs across the globe. Over 25 years of classroom teaching have informed his compositional voice, giving him insight into what students need to build confidence and what teachers need to fill rehearsal time with material that works.

Bernotas composes with both accessibility and musical substance in mind, creating pieces that young musicians can perform with genuine pride. He conducts clinics and guest-leads honor ensembles regularly, drawing on his dual expertise as both composer and educator. His published works span method books, solos, and ensemble literature, and his influence on how beginning and intermediate musicians access meaningful repertoire continues to grow.

Why we love this

This book delivers exactly what young pianists need: repertoire that sounds satisfying while staying within first-year parameters. The flexibility to accompany solos, duets, or trios means a single purchase supports multiple performance scenarios across your year. The online tracks let students practice independently while you focus on refining interpretation and ensemble balance.

What to expect

These arrangements honor the simple beauty of folk melodies and recognizable themes without over-complicating them. Playing through this book feels rewarding because every piece lands musically, even at modest tempos and with modest technical demands on both soloist and accompanist.

Who it's for

Piano teachers and studio instructors working with early first-year through late first-year students who need accompanimental material to support wind, string, or percussion soloists. Directors of beginning band or orchestra programs also benefit from having a dedicated piano part for concert performances and chamber combinations.

How to get the most out of it

  • Start with the full-performance recording to hear how the piece sits in style and tempo, then work with the minus-one track to lock in your part as accompanist.
  • Use the variable-speed tools in SI Online to isolate difficult rhythmic or harmonic moments; slowing the tempo can clarify voicing balance when accompanying a trio.
  • Loop shorter passages to build security with key changes or accompanimental figures that shift between sections.
  • Balance your dynamic support to the level of your soloists; use the recordings as a reference for how far back the piano should sit in a modest performance space.

How to use it

Add this to your concert season whenever you feature young soloists or small ensembles; the repertoire spans folk, holiday, classical, and patriotic styles, so you can program one piece as a charming solo moment or several to create a mixed-genre showcase. Use it in studio teaching to let young pianists accompany developing musicians in their same peer group, building collaborative skills while deepening their own musicianship.

Skills your students will build

  • Reading and performing accompanimental patterns at a steady tempo
  • Balancing dynamic support to a featured melodic line
  • Coordinating with soloists across different ensemble combinations (solo with piano, duet with piano, trio with piano)
  • Playing within the parameters of beginning method-book notation without feeling limited musically
  • Managing tempo consistency and breathing with ensemble partners

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