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Sound Innovations for String Orchestra: Sound Development (Intermediate): Violin Book

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Sound Innovations for String Orchestra: Sound Development (Intermediate) Cover Image

Sound Innovations for String Orchestra: Sound Development (Intermediate): Violin Book

Warm up Exercises for Tone and Technique

By Bob Phillips and Kirk Moss

Item: 00-34607

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Description
Sound Innovations: Sound Development emphasizes playing with a characteristic beautiful sound. The components of producing this sound are broken into four levels, consistent with the revolutionary Sound Innovations structure: (1) Sound Tone, (2) Sound Bowings, (3) Sound Shifting, and (4) Sound Scales, Arpeggios, Chorales, and Rhythms. The flexible levels can be used in the order that is best for your students, as individual warm-ups or as structured units. Your students will learn the proper use of the bow with the variables of tone, the next group of bowings needed for intermediate repertoire, and how to shift and play with vibrato. These skills are reinforced with comprehensive scales, arpeggios, sight-reading materials, rhythm exercises, and warm-up chorales. Video demonstrations of key skills are referenced in the book and can be viewed online at www.alfred.com/SoundDevelopmentVideo.
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Additional Details
Series: Sound Innovations for String Orchestra
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7390-6802-4
ISBN13: 978-0-7390-6802-1
UPC: 038081383750
SKU: 00-34607
Instrumentation: Violin

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About the Authors

Bob Phillips
Bob Phillips, born in 1953, is a composer, author, and conductor recognized as a pioneering force in string education. He has shaped the field through his expertise in large-group pedagogy and his innovative approach to developing eclectic musical styles for string players. His educational materials and compositions reach thousands of young musicians annually, establishing him as one of today's most prolific educational composers and authors.

Phillips has authored more than 25 book series for classroom use, including the complete Sound Innovations series across all six levels and groundbreaking eclectic publications such as Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, and Mariachi Philharmonic. Over 200 of his works have been published for orchestras and bands, and he is an award-winning ASCAP composer whose pieces are regularly performed at the prestigious Midwest Clinic. His instructional DVDs, String Clinics to Go, have become essential resources for thousands of educators.

Over 27 years in Saline, Michigan, Phillips built a nationally recognized string program serving more than 700 students in both classical and eclectic music styles. He founded the Saline Fiddlers Philharmonic, which gained international prominence under his direction, performing over 80 shows annually while appearing at the White House and the Midwest Clinic. Phillips has conducted extensively with youth symphonies, all-state orchestras, and prestigious camps including those at Interlochen and Blue Lake Fine Arts Camp. He served as resident conductor and arranger for Seattle's Wintergrass Festival for 12 years and worked as assistant music director and arranger for the professional ensemble Barrage 8.
Kirk Moss
Kirk D. Moss, Ph.D., is Vice Provost for Faculty & Academic Programs at University of Northwestern – St. Paul. He earned recognition as a Faculty Award winner for Excellence in Scholarship in 2021 and holds advanced degrees in music education with a conducting emphasis from the University of Florida, a Master of Music from the University of Cincinnati College-Conservatory of Music, and a Bachelor of Music from the University of Michigan.

His professional contributions span numerous leadership roles within string music education. Moss served as national president of the American String Teachers Association and chaired the ASTA National Orchestra Festival on five occasions. He has received six ASTA National Citations for Leadership & Merit and an Alumni Outstanding Achievement Award from the University of Florida School of Music. Additionally, he coauthored the Sound Innovations series method books for Alfred Music and has created numerous string orchestra arrangements.

Throughout his career, Moss has worked as a guest conductor, clinician, and adjudicator across nearly forty states and Australia. During twelve years teaching school orchestras at the elementary through high school levels, his groups achieved recognition at state, national, and international competitions. One of his former high schools established a college string scholarship in his name. He and his wife Deb have been married for more than thirty-five years and have three children: Bethany, Luke, and Lydia.

Why we love this

This book cuts through the noise with a laser focus on tone production and bow control, giving intermediate violinists the technical foundation they need for more ambitious repertoire. The four-part structure (tone, bowings, shifting, scales and arpeggios) moves logically without feeling rigid; you can follow the sequence or jump between units based on what your students need this week. Phillips writes from decades of working with large string programs, so every exercise feels purposeful and every video demonstration reinforces concepts that actually show up in the pieces your orchestra will play.

What to expect

Grounded and intentional. Every exercise has a clear purpose, whether you're discovering how bow pressure and speed create tone or learning the forearm rotation needed for a smooth shift in third position. The book feels like a conversation with someone who has spent years watching students struggle with the same technical puzzles and knows exactly how to untangle them.

Who it's for

Intermediate string violinists (typically in their second or third year of study) who are ready to deepen their tone quality and tackle the bowings, shifts, and vibrato required for intermediate orchestra repertoire. Music teachers and string directors can use this book alongside ensemble pieces to target individual technical needs within a group lesson structure.

How to get the most out of it

  • Return to the tone exercises before rehearsals when students are rushing through their bow work or losing clarity in fast passages; even two minutes on fundamental bow control resets focus and sound quality across the section
  • Use the shifting exercises as diagnostic tools: when intonation dips in a piece, isolate the exact shifting pattern from this book and work it separately before reintegrating it into the repertoire
  • Build vibrato gradually through the warm-up chorales rather than as an isolated technical drill; this approach ties vibrato production to musicality and makes it a natural extension of tone, not a separate skill

How to use it

Integrate the Sound Development units into your warm-up routine at the start of rehearsals, selecting which component (tone, bowings, shifting, or scales) addresses the biggest technical barrier in that week's repertoire. The book also works well for sectional rehearsals and private lessons with orchestra members who need reinforcement outside group instruction.

Skills your students will build

  • Tone production through controlled bow pressure, speed, and placement
  • Intermediate bowings including hooked bowings, slurs across string changes, and rhythmic articulation
  • Smooth shifts in second, third, and higher positions with secure intonation
  • Vibrato technique and integration with tone
  • Reading rhythm in varied meters and syncopated patterns
  • Sight-reading fluency through dedicated exercises
  • Scale and arpeggio mastery across multiple keys and positions

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