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Sound Innovations for String Orchestra: Sound Development (Advanced): Piano Acc. (Instrumental) Comb Bound Book

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Sound Innovations for String Orchestra: Sound Development (Advanced) Cover Image

Sound Innovations for String Orchestra: Sound Development (Advanced): Piano Acc. (Instrumental) Comb Bound Book

Warm-up Exercises for Tone and Technique for Advanced String Orchestra

By Bob Phillips and Kirk Moss

Item: 00-41100

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Sound Innovations: Sound Development for Advanced String Orchestra continues the emphasis on playing with a characteristic, beautiful sound, but also focuses on 3-octave scales, particularly scales that students will need for regional auditions and all-states. Advanced technical skills are presented in four levels, consistent with the revolutionary and flexible Sound Innovations structure: (1) Sound Tone, (2) Sound Bowing, (3) Sound Shifting, and (4) Sound Scales and Arpeggios. The levels can be used in the order that is best for your students, as individual warm-ups, or as structured units. The perfect book to follow Sound Development for Intermediate String Orchestra, or for any advanced string ensemble or individual learner, your students will further refine the proper use of the bow, bow strokes, shifting, and 3-octave scales.
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Additional Details
Series: Sound Innovations for String Orchestra
Publisher: Alfred Music
Page Count: 108
ISBN10: 0-7390-9704-0
ISBN13: 978-0-7390-9704-5
UPC: 038081461502
SKU: 00-41100
Instrumentation: Piano Acc.

More about this title

About the Authors

Bob Phillips
Born in 1953, Bob Phillips is an author, composer, pedagogue, and conductor recognized as a pioneering force in string education. He has established himself as a leading expert in large group pedagogy and the development of diverse musical styles for string ensembles. His educational materials reach thousands of young string players annually through performances in classrooms and concert halls worldwide.

Phillips has authored more than 25 book series for educational use, including all six levels of the Sound Innovations series and groundbreaking publications exploring eclectic styles such as Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, Latin Philharmonic, and Fiddle and Song. He has published over 200 compositions for orchestras and bands and is an award-winning ASCAP composer whose works are regularly performed at the Midwest Clinic. His instructional DVD series String Clinics to Go has become a resource for thousands of educators.

For 27 years in Saline, Michigan, Phillips developed a string program serving over 700 students that became a nationally recognized model of excellence in both classical and eclectic music education. He founded the Saline Fiddlers Philharmonic, which achieved international acclaim under his direction and performed more than 80 shows annually, including multiple performances at the White House and the Midwest Clinic. Phillips has conducted extensively with youth symphonies, all-state orchestras, and prestigious summer camps including those at Interlochen and Blue Lake Fine Arts Camp. He served as resident conductor and arranger for Seattle's Wintergrass Festival for 12 years and worked as assistant music director and arranger for the professional ensemble Barrage 8.
Kirk Moss
Kirk D. Moss, Ph.D., is Vice Provost for Faculty and Academic Programs at University of Northwestern – St. Paul. He holds a doctorate in Music Education with a conducting emphasis from the University of Florida, where he studied under Raymond Chobaz, Timothy Brophy, and Russell Robinson. His academic credentials also include a Master of Music degree from the University of Cincinnati College-Conservatory of Music and a Bachelor of Music degree with high distinction from the University of Michigan.

Throughout his career, Moss has made significant contributions to music education and the orchestral community. He served as national president of the American String Teachers Association and chaired the ASTA National Orchestra Festival five times. His publications and compositions include the Sound Innovations series method books coauthored for Alfred Music and numerous string orchestra arrangements. His recognition includes the 2021 Faculty Award for Excellence in Scholarship from his current institution, an Alumni Outstanding Achievement Award from the University of Florida School of Music, and six ASTA National Citation for Leadership and Merit awards.

Moss brings extensive classroom experience and a strong commitment to student development. He spent twelve years teaching orchestras at the elementary, middle, and high school levels, with groups that achieved distinction at state, national, and international competitions. His influence extends beyond his home institution through guest conducting, clinician work, and adjudication in nearly forty states and Australia. A former high school where he taught established an annual college string scholarship in his name. He and his wife, Deb, have been married for more than thirty-five years and have three children: Bethany, Luke, and Lydia.

Why we love this

This accompaniment book transforms solo scale study into supervised ensemble work, giving your advanced students real accountability during audition preparation. The four-level structure lets you isolate technical work (tone, bowing, shifting) before tackling 3-octave scales, so students build confidence at each stage rather than drowning in complexity. Phillips knows what audition committees actually demand, and this book delivers it.

What to expect

Structured yet flexible, this book balances disciplined technical work with musical purposefulness. The layered approach to sound development means students experience immediate results, building the confidence that comes from mastering tone before tackling the physical demands of 3-octave scales.

Who it's for

Advanced string orchestra students preparing for regional auditions, all-state competitions, or private study with teachers who emphasize careful intonation and technical refinement. This accompaniment book serves pianists collaborating with string teachers during sectional rehearsals, private lessons, and audition preparation sessions.

How to get the most out of it

  • Use the accompaniment to establish a consistent pulse during scale work; students often rush through runs without the grounding that a steady harmonic foundation provides.
  • Rotate focus across the four levels rather than drilling them sequentially; this prevents monotony and allows students to return to earlier levels with fresh ears as their technique deepens.
  • Record the accompaniment as reference tracks for students to practice against independently; many advanced players benefit from hearing exactly what to expect before they perform scales in a group setting.
  • Pair the shift exercises with the scale work rather than treating them as separate units; students internalize intonation landmarks more effectively when they apply shifting patterns to the actual scalar passages they'll use in auditions.

How to use it

Introduce this book during the fall audition preparation cycle, using the Sound Tone and Sound Bowing levels as warm-up material that benefits the full orchestra while serving advanced players who need refinement. As the year progresses, shift to Sound Shifting and Sound Scales during sectionals with your most competitive students. You can also assign individual levels as prescribed exercises for advanced students pursuing all-state or youth orchestra positions.

Skills your students will build

  • 3-octave scales across all common keys
  • Consistent bow tone and control at multiple bow levels
  • Shifting technique with secure intonation
  • Arpeggios built from scale patterns
  • Audition-ready technical facility
  • Independent scale study with accompaniment reference

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