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Sound Innovations for String Orchestra: Sound Development (Advanced): Viola Book

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Sound Innovations for String Orchestra: Sound Development (Advanced): Viola Book

Warm-up Exercises for Tone and Technique for Advanced String Orchestra

By Bob Phillips and Kirk Moss

Item: 00-41097

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Description
Sound Innovations: Sound Development for Advanced String Orchestra continues the emphasis on playing with a characteristic, beautiful sound, but also focuses on 3-octave scales, particularly scales that students will need for regional auditions and all-states. Advanced technical skills are presented in four levels, consistent with the revolutionary and flexible Sound Innovations structure: (1) Sound Tone, (2) Sound Bowing, (3) Sound Shifting, and (4) Sound Scales and Arpeggios. The levels can be used in the order that is best for your students, as individual warm-ups, or as structured units. The perfect book to follow Sound Development for Intermediate String Orchestra, or for any advanced string ensemble or individual learner, your students will further refine the proper use of the bow, bow strokes, shifting, and 3-octave scales.
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Additional Details
Series: Sound Innovations for String Orchestra
Publisher: Alfred Music
Page Count: 56
ISBN10: 0-7390-9701-6
ISBN13: 978-0-7390-9701-4
UPC: 038081461472
SKU: 00-41097
Instrumentation: Viola

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About the Authors

Bob Phillips
Bob Phillips, born in 1953, stands as a pioneering figure in string education. As an author, composer, pedagogue, and conductor, he has fundamentally shaped how large group instruction is approached in music classrooms. His innovative work in developing eclectic musical styles for string students has earned him recognition as one of today's most prolific educational composers.

Over 25 book series bear Phillips' name, with thousands of string students annually performing from his publications. His Sound Innovations series spans all six levels, while his ground-breaking eclectic collections include Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, and Mariachi Philharmonic, among others. He has seen more than 200 works published for orchestras and bands and holds recognition as an award-winning ASCAP composer whose pieces regularly appear on Midwest Clinic programs.

For 27 years in Saline, Michigan, Phillips built a string program exceeding 700 students that became a national model for excellence across both classical and eclectic repertoires. The Saline Fiddlers Philharmonic, which he founded and directed, gained international prominence through over 80 annual performances, multiple White House appearances, and regular Midwest Clinic presentations. Phillips has conducted extensively for youth orchestras, all-state ensembles, and prestigious camps including Interlochen and Blue Lake Fine Arts Camp. He served 12 years as resident conductor and arranger for the Wintergrass Festival in Seattle and has also worked as assistant music director and arranger for the professional string ensemble Barrage 8. His instructional DVD series, String Clinics to Go, continues to support thousands of music teachers.
Kirk Moss
Kirk D. Moss serves as Vice Provost for Faculty and Academic Programs at University of Northwestern – St. Paul. He holds a Ph.D. in Music Education with a conducting emphasis from University of Florida, where he studied under Raymond Chobaz, Timothy Brophy, and Russell Robinson. His educational background also includes a Master of Music degree from University of Cincinnati College-Conservatory of Music and a Bachelor of Music degree with high distinction from University of Michigan.

Throughout his career, Moss has received numerous accolades including the 2021 Faculty Award for Excellence in Scholarship at his current institution and six ASTA National Citations for Leadership and Merit. The University of Florida School of Music honored him with an Alumni Outstanding Achievement Award. He coauthored the Sound Innovations series method books for Alfred Music and has created numerous string orchestra arrangements. As a conductor, clinician, and adjudicator, he has worked in nearly forty states and Australia.

Moss served as national president of the American String Teachers Association and chaired the ASTA National Orchestra Festival five times while maintaining a position on ASTA's Executive Board. During his twelve years teaching orchestras at the elementary, middle, and high school levels, his ensembles earned distinction at state, national, and international competitions. One of his former high schools established a college string scholarship in his name. He and his wife, Deb, have been married for more than thirty-five years and have three children: Bethany, Luke, and Lydia.

Why we love this

This book understands what advanced violists actually need: systematic preparation for auditions and competitive settings without abandoning musicality. The four-level structure (Sound Tone, Sound Bowing, Sound Shifting, Sound Scales and Arpeggios) gives you flexibility to address your students' specific gaps rather than forcing linear progression, and the emphasis on 3-octave scales directly serves students preparing for regional auditions and all-state competition.

What to expect

Working through this book feels like apprenticeship under a conductor who refuses to separate technique from musicianship. Each scale sounds intentional, not rote; each bow stroke serves expression. The careful scaffolding of shifting work creates moments of genuine accomplishment as difficult passages click into place.

Who it's for

Advanced string orchestra students and individual violists preparing for competitive auditions, regional all-state selections, and upper-level ensemble performance. This book is designed for players who have completed Sound Development for Intermediate String Orchestra and are ready to deepen their technical command and refine their characteristic viola sound.

How to get the most out of it

  • Work through the scales and arpeggios systematically across a rehearsal week rather than drilling them all in one session; spacing the study of different keys prevents fatigue and allows students to absorb shifting patterns more fully.
  • Record sections of your ensemble exploring the Sound Tone and Sound Bowing material, then play back the recordings so students hear their collective sound development and can self-assess tone quality against their own benchmarks.
  • Pair the shifting exercises with open strings and stopped notes at the same pitch, ensuring students develop consistent intonation as they navigate positions rather than relying on muscle memory alone.
  • Use individual performance of 3-octave scales as a diagnostic tool during the audition season to identify which keys or positions require extra focus before regional or all-state try-outs.

How to use it

Integrate this into your rehearsal warm-up rotation throughout the season, selecting different levels and focus areas based on what your ensemble needs in a given week. As audition season approaches, shift to concentrated study of the 3-octave scales in keys that appear on regional and all-state lists, allowing students to arrive at try-outs with polished preparation. Individual students can also work through sections independently as part of private study or sectional coaching.

Skills your students will build

  • 3-octave scales across shifting positions
  • Consistent bow control across extended range
  • Position shifting with accurate intonation
  • Arpeggios in multiple keys and octaves
  • Characteristic tone production at advanced level
  • Audition preparation for regional and all-state selections

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