Sound Innovations for String Orchestra, Book 2 Cover Image

Sound Innovations for String Orchestra, Book 2: Conductor Score

$44.99 USD
Sale price  $44.99 USD Regular price 
Skip to product information
Sound Innovations for String Orchestra, Book 2 Cover Image

Sound Innovations for String Orchestra, Book 2: Conductor Score

A Revolutionary Method for Early-Intermediate Musicians

By Bob Phillips, Peter Boonshaft, and Robert Sheldon

Item: 00-34599

$44.99
Shipped

One moment…

Description
Sound Innovations for String Orchestra, Book 2 continues your student's musical journey by teaching with a complete review of Book 1, and a segmented presentation of new concepts while introducing ensemble playing. Continue skill development with review, new keys, rhythms, tone development, and introductory scales and arpeggios. Following the unique Sound Innovations organization, the string orchestra method contains levels, each of which is divided into several sections that introduces concepts separately, providing benchmarks, assessment, and intermediate goals. The isolation of new concepts helps facilitate the understanding of more advanced material. Sound Advice sections throughout the Teacher's Score assist with quick and easy-to-use tips and suggestions. Plenty of practice and performance opportunities are also provided in order to reinforce each lesson. MasterClass lessons with string ensemble videos and accompaniment recordings are available streaming at www.alfred.com/SIOnline from anywhere with internet access. Learn more at www.alfred.com/SIOnline.
This title is available in MakeMusic Cloud.

"Sound Innovations by Alfred Music is a dream-come-true method for beginning concert band and string orchestra. Its infusion of technology provides an open-ended architecture of the first order. This unique blend of time-tested strategies and technology offer a great foundation for a successful learning experience."
---John Kuzmich, Jr., BandDirector.com

Sound Innovations for String Orchestra, Book 2: Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Sound Innovations for String Orchestra
Publisher: Alfred Music
Page Count: 208
ISBN10: 0-7390-6794-X
ISBN13: 978-0-7390-6794-9
UPC: 038081383675
SKU: 00-34599
Instrumentation: Conductor's Score

More about this title

About the Authors

Bob Phillips
Bob Phillips, born in 1953, combines composition, conducting, and teaching to influence string music education at all levels. He has developed over 25 instructional book series, with the Sound Innovations curriculum serving as his flagship work. Phillips has also created five genre-specific publications including Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, and Latin Philharmonic, each designed to help students engage with diverse musical styles on string instruments.

His compositional output exceeds 200 works for orchestras and bands, many of which have been performed at prestigious venues like the Midwest Clinic. As an ASCAP award-winning composer, Phillips has extended his educational reach through String Clinics to Go, a series of instructional DVDs widely used in schools across the nation.

During his 27-year tenure building the string program in Saline, Michigan, Phillips grew the enrollment to over 700 students exploring both classical and eclectic genres. He founded and directed the internationally acclaimed Saline Fiddlers Philharmonic, a folk ensemble that performed more than 80 shows annually and appeared multiple times at the White House. Phillips has conducted youth orchestras throughout the country, including honors ensembles in Michigan, California, Georgia, Kentucky, Tennessee, and South Carolina, while also serving as resident conductor and arranger for Seattle's Wintergrass Festival for 12 years.
Peter Boonshaft
Peter Loel Boonshaft stands out as a leading figure in music education today. He currently serves as Director of Education for Jupiter Band Instruments while maintaining a strong online presence through his widely followed blog that assists music teachers across the nation. His workshops and conducting have taken him throughout the United States and abroad, earning him recognition as the inaugural recipient of the George M. Parks Award for Leadership in Music Education from the National Association for Music Education and Music For All.

His accomplishments span performance, academia, and professional recognition. Boonshaft holds a Bachelor of Music (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts, along with certification from the Kodály Musical Training Institute. As Professor Emeritus of Music at the University of Hartford, he received the Regent's Award twice and the Outstanding Music Educator Award. Additional honors include three National Endowment for the Arts Artist in Residence appointments, three Honorary Life Memberships in the Tri-M Music Honor Society, and the Al G. Wright Award of Distinction from Women Band Directors International. He has performed for three U.S. Presidents and received official recognition including a Certificate of Appreciation from former President Ronald Reagan.

Boonshaft's teaching career included positions at Moravian College and the University of Hartford. He founded and directed the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble, significantly influencing young musicians throughout the region.
Robert Sheldon
Robert Sheldon ranks among the most-performed wind band composers of our time. As lead author of Sound Innovations for Concert Band, he created a resource that has become fundamental to music education nationwide. His work has earned recognition from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. The expressive quality of his compositions has made them fixtures on international concert and contest stages.

An active composer and clinician, Sheldon regularly accepts commissions and publishes new concert band works each year. He guest conducts All-State and Regional Honor Bands while presenting clinics at colleges, universities, and state Music Education Association conferences. His conducting engagements have taken him across the United States and to Japan, Canada, Italy, Germany, Australia, and China, with performances at Carnegie Hall, Orchestra Hall, Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts. VanderCook College of Music granted him an honorary doctorate in July 2020.

Why we love this

Phillips and his collaborators have engineered a method that respects pacing without sacrificing musical substance. The segmented concept approach means students encounter one new idea at a time, which prevents the overwhelm that derails beginning orchestras, while the inclusion of MasterClass videos and streaming accompaniments transforms a printed book into a flexible teaching platform that works across different learning environments.

What to expect

Book 2 has the feel of a well-designed scaffold. New material arrives gradually enough that students experience success, yet the method introduces authentic ensemble textures and stylistic variety that keep rehearsals engaging. The tone development and scale work develop technical foundation without sounding like etude books.

Who it's for

String orchestra directors working with intermediate students ready to expand beyond beginner fundamentals. Conductors managing mixed ability levels will find the review components invaluable for building ensemble cohesion before tackling new keys and rhythmic concepts.

How to get the most out of it

  • Use the Sound Advice sections throughout the score as quick reference points before rehearsal. These tips address specific pedagogical moments and save you from having to hunt through a separate manual.
  • Leverage the streaming MasterClass videos and accompaniment recordings from alfred.com/SIOnline to model ensemble sound and help students internalize the stylistic intent behind each piece.
  • Build cumulative rehearsals by revisiting material from Book 1 early in your work with this volume. Students consolidate foundational habits while you assess readiness for new rhythmic and tonal challenges.
  • Structure your week around the assessment benchmarks built into each level. This gives students concrete, achievable goals and gives you reliable data for pacing decisions.

How to use it

Slot this as your primary curriculum resource for the second year of string study, allowing the built-in review to cement Book 1 habits while you introduce keys and rhythms that prepare students for higher-level repertoire later in the year. The performance opportunities provide natural checkpoints for student concerts, giving you material that improves over rehearsal weeks without requiring supplemental arrangements.

Skills your students will build

  • Reading in new keys beyond Book 1 material
  • Rhythmic accuracy with expanded note values and syncopation
  • Tone production and vibrato development through isolated exercises
  • Basic scales and arpeggios in multiple positions
  • Ensemble balance and blend in multi-part textures
  • Musical interpretation using stylistic cues from recorded models

You May Also Like