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Sound Innovations for String Orchestra, Book 1, Second Edition: Bass Book & Online Media

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Sound Innovations for String Orchestra, Book 1, Second Edition Cover Image

Sound Innovations for String Orchestra, Book 1, Second Edition: Bass Book & Online Media

The Comprehensive Curriculum for Beginning Musicians

By Bob Phillips, Peter Boonshaft, and Robert Sheldon

Item: 00-50609

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Description
Sound Innovations for String Orchestra, Book 1, Second Edition, is the most comprehensive and thoughtfully designed method book for beginning string students. Designed with input from thousands of teachers, it features clean, easy-to-follow page layouts and a well-sequenced progression of skills. It provides clear goals for each exercise, ample reinforcement of new concepts, performance opportunities, diverse musical styles, and innovative teaching and practice resources. Note names are not included inside the note heads in order to fast-track musical literacy. The book is structured into six short levels, offering benchmarks, assessment indicators, and intermediate goals to guide students and teachers.

Every book includes free access to SI Online, a robust platform for supplemental worksheets, practice tracks, alternate tunes, extra string orchestra pieces, instrument-specific instructional videos, and more---all available with no login required. Accompaniment tracks can be slowed down, sped up, and looped for difficult sections. The PDFs include music theory, history, scale exercises, rhythm pages, technique pieces, and more for in-class or home reinforcement and differentiation. These resources support students from their very first notes to their final solo while giving teachers the flexibility to tailor pacing and instruction to meet the unique needs of their ensemble.

Book 1, Second Edition is available for free in MakeMusic Cloud, an interactive practice tool that engages students and streamlines assessment. Plus, with a paid subscription, students can access SI CenterStage---popular melodies, including Disney and pop tunes, for all instruments!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sound Innovations for String Orchestra, Book 1, Second Edition: Bass Book & Online Media comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sound Innovations for String Orchestra
Publisher: Alfred Music
Page Count: 48
ISBN10: 1-4706-8212-5
ISBN13: 978-1-4706-8212-5
UPC: 038081606859
SKU: 00-50609
Instrumentation: Bass

More about this title

About the Authors

Bob Phillips
Bob Phillips, born in 1953, is a composer, author, and conductor who has fundamentally shaped string education through innovative pedagogy and large group teaching methods. Recognized as one of the field's most influential educational composers, his works reach thousands of string students annually through classroom performances and festivals worldwide.

Phillips has authored over 25 book series for educational use, including all six levels of Sound Innovations and pioneering eclectic styles publications such as Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, and Mariachi Philharmonic. More than 200 of his compositions have been published for orchestras and bands, earning him recognition as an award-winning ASCAP composer whose pieces are regularly performed at the Midwest Clinic. His instructional DVDs, String Clinics to Go, have become widely adopted by music educators.

Over 27 years in Saline, Michigan, Phillips built a string program of over 700 students that became a national model for excellence in both classical and eclectic music styles. He founded the Saline Fiddlers Philharmonic, an ensemble that achieved international prominence under his direction and performed at the White House and Midwest Clinic, among other prestigious venues. Phillips has conducted extensively with youth orchestras, all-state ensembles, and prestigious camps including Interlochen and Blue Lake Fine Arts Camp. He served as resident conductor and arranger for the Wintergrass Festival in Seattle for 12 years and worked as assistant music director and arranger for the professional string ensemble Barrage 8.
Peter Boonshaft
Peter Loel Boonshaft has earned recognition as one of today's most dynamic voices in music education. As Director of Education for Jupiter Band Instruments, he reaches educators through his weekly "Boonshaft's Blog" while maintaining an active schedule of speaking engagements and conducting appearances across all fifty states and internationally.

His professional achievements include receiving the inaugural "George M. Parks Award for Leadership in Music Education" from the National Association for Music Education and Music For All. He holds the Doctor of Musical Arts degree along with a Master of Music Education in Conducting and Bachelor of Music (Summa Cum Laude), and he earned a Certificate from the Kodály Musical Training Institute. Additional honors include three selections as a National Endowment for the Arts "Artist in Residence" and the Al G. Wright Award of Distinction from Women Band Directors International.

Dr. Boonshaft's service to music education extends through his faculty positions at the University of Hartford and Moravian College, where he is now Professor Emeritus. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble. Recognition of his contributions includes official proclamations from five state governors, membership in Pi Kappa Lambda and Alpha Chi honor societies, and performances for former Presidents Reagan, Clinton, and George H. W. Bush as well as former Prime Minister Margaret Thatcher.
Robert Sheldon
Robert Sheldon ranks among today's most widely performed composers of wind band literature. He serves as lead author of Sound Innovations for Concert Band and creates numerous new works annually through commissions and regular publications. His compositions connect deeply with both performers and listeners through their expressive qualities.

Sheldon's accolades include multiple honors from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His music appears on concert and contest programs globally and has been performed at prestigious venues including Carnegie Hall, Orchestra Hall, Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts. In 2020, VanderCook College of Music awarded him an honorary doctorate.

His work extends far beyond composition. Sheldon frequently guests conducts All-State and Regional Honor Bands while also serving as a clinician at colleges, universities, and state music education conferences. He has traveled throughout the United States, Japan, Canada, Italy, Germany, Australia, and China in these capacities, building a reputation as both an educator and advocate for wind band music.

Why we love this

This method book delivers the scaffolding you need without the hand-holding that slows progress. The six-level structure gives students clear benchmarks while the note-head design fast-tracks reading fluency rather than encouraging dependency on note labels. What sets it apart is the depth of supplemental resources; SI Online provides everything from slowed-down accompaniment tracks to instrument-specific videos, giving you genuine flexibility to differentiate within a single rehearsal.

What to expect

Structured but never rigid. The progression respects where beginning bassists truly are, building confidence through achievable steps and diverse musical contexts. By mixing classical exercises with varied styles and offering frequent performance moments, the material keeps students engaged while establishing solid foundational technique.

Who it's for

Beginning string bass students in grades 4 and up, whether in full orchestras, smaller ensembles, or hybrid settings. This book works equally well for students starting in elementary school or those beginning string study in middle school.

How to get the most out of it

  • Use the accompaniment tracks at tempo after students have worked through a piece at a slower speed; the platform's looping feature isolates challenging measures without requiring you to manually splice audio.
  • Reference the instructional videos for common technical hurdles; having students watch a quick demonstration between rehearsals often resolves posture or bow-hold issues more effectively than verbal correction alone.
  • Assign the supplemental worksheets from SI Online as differentiated homework; the theory and rhythm pages reinforce what you're teaching without asking you to create materials.

How to use it

Integrate this across your first year of instruction, moving through the six levels at your ensemble's pace rather than racing to a deadline. The benchmarks and assessment indicators let you confirm readiness before advancing, so you can pause, reinforce, or accelerate based on what you observe in rehearsal. Pair it with the extra string orchestra pieces available on SI Online to add repertoire depth without purchasing separate publications.

Skills your students will build

  • Reading bass clef with increasing fluency and without note-head labels
  • Half notes, quarter notes, eighth notes, and basic rhythmic patterns including dotted rhythms
  • Whole, half, and quarter rests
  • Open strings and first-position fingering on the bass fingerboard
  • Bow control including long tones, detaché, and basic articulation
  • Major scales and foundational intonation strategies
  • Ensemble awareness and balance within a string orchestra texture
  • Performance confidence through frequent solo and small-group opportunities

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