Soon It's Gonna Rain (from The Fantasticks) Cover Image

Soon It's Gonna Rain (from The Fantasticks): Full Orchestra Conductor Score and Parts

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Soon It's Gonna Rain (from The Fantasticks) Cover Image

Soon It's Gonna Rain (from The Fantasticks): Full Orchestra Conductor Score and Parts

By Tom Jones, Harvey Schmidt / arr. Mike Lewis

Item: 36-A865090

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Description
Hauntingly lovely, this memorable selection from the Off-Broadway musical The Fantasticks will mesmerize your audience. Keys are C and E flat, the full orchestra is involved, and a discrete drum set player can help make the arrangement a special moment on the program. Instrumentation: 3.1+EH.2+BCl.2: 4.3.3.1: Timp.Drset.Vib: Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 679360623183
SKU: 36-A865090
Instrumentation: 3.1+EH.2+BCl.2: 4.3.3.1: Timp.Drset.Vib: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Tom Jones

Tom Jones co-created The Fantasticks with composer Harvey Schmidt in 1960. The musical became the longest-running show in Off-Broadway history, a testament to Jones's gift for intimate, poetic storytelling. His work transformed musical theater by proving that small-scale productions with emotional depth could captivate audiences far longer than lavish spectacles.

Why we love this

This arrangement brings The Fantasticks' signature vulnerability to the concert hall without losing the intimate charm that made the original so enduring. The orchestration respects the song's quiet beauty while giving your ensemble the chance to color it with full instrumental resources, and the optional drum set lets you decide how much contemporary edge to bring to a classic moment.

What to expect

Wistful and achingly tender. The song unfolds like a confession, with harmonies that resolve in ways both expected and gently surprising. There's a fragility here that invites the listener in close, even in an orchestral setting.

Who it's for

Orchestras at the grade 4 level seeking a moment of genuine lyricism and theatrical warmth. Directors looking to program something that showcases musical sensitivity and gives less prominent voices a chance to shape a memorable melody.

How to get the most out of it

  • Balance the melodic line carefully against the accompaniment; this arrangement thrives on transparency, not weight. The fuller orchestration can easily bury the tune if sections don't listen critically.
  • Treat the transitions between keys (C and E flat) as genuine harmonic moments rather than mere key changes. Let the shift breathe and land clearly so the audience follows the emotional arc.
  • If using the drum set, keep it restrained and textural. This isn't a pop song in concert dress; the drums should enhance atmosphere rather than push rhythm.

How to use it

This works beautifully as a contrasting slow piece between more energetic selections, or as an elegant opener to a second half. It also pairs naturally with other musical theater arrangements if you're programming a Broadway-themed concert or educational unit on contemporary American musical composition.

Skills your students will build

  • Balancing melody and accompaniment across the full orchestra
  • Executing smooth key modulations (C to E flat)
  • Shaping a through-composed melody with consistent phrasing across instrumental sections
  • Coordinating optional percussion (drum set) with string and wind textures

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