Song of the Tall Ship Cover Image

Song of the Tall Ship: Choral Octavo SoundTrax CD

$19.95 USD
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Song of the Tall Ship Cover Image

Song of the Tall Ship: Choral Octavo SoundTrax CD

Words by Beth Rice Luttrell, music by Mark Hayes

Item: 00-18709

$19.95
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Description
The Celtic musical tradition comes alive in this homage to the splendor of the tall ships. But when "raging winds bring punding waves," text painting creates images of sea squalls and freezing ocean spray. A unique, well crafted choral work. Powerful for men's choirs, too.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081173498
SKU: 00-18709

More about this title

About the Composer: Mark Hayes

Mark Hayes

Mark Hayes has composed, arranged, and conducted more than 1,750 published works across sacred and secular genres. A summa cum laude graduate in Piano Performance from Baylor University (1975), Hayes has guest conducted at Lincoln Center, the National Cathedral, and Carnegie Hall, premiering major works including his Requiem at Lincoln Center in 2013 and again at St. Ignatius Basilica in Rome as part of a Vatican-sponsored festival in 2014.

Beyond his choral and orchestral achievements, Hayes is a prolific piano composer with over 100 books in print spanning gospel, classical, jazz, and musical theatre styles. His work extends to theatrical scoring (Civil War Voices won six awards at the Midtown International Theatre Festival) and orchestration for musical theatre. In 2010, Baylor University recognized his leadership in Christian music with a special award. Based in Kansas City, Missouri, Hayes continues to balance international performances and recording work with an active composing schedule.

Why we love this

Hayes captures the Celtic maritime tradition with genuine musical sophistication rather than surface nostalgia. The text painting on "raging winds bring pounding waves" creates visceral choral moments that singers feel in their bodies, making this work as dramatically rewarding to perform as it is to hear. Men's choirs will find the vocal writing both idiomatic and stirring.

What to expect

The opening evokes mist and distant horizons with warm, unhurried vocal lines grounded in Celtic harmonic language. When the text turns to "raging winds" and "pounding waves," the music surges with kinetic energy and vivid imagery, painting spray and spray with precise rhythmic and dynamic choices before settling into reflection.

Who it's for

Mixed choirs and men's choirs seeking substantial secular repertoire with literary and musical depth. Directors programming concerts around nautical, Celtic, or dramatic themes will find this work carries strong narrative weight without requiring staged production.

How to get the most out of it

  • Shape the text painting moments with dynamic contrast and articulation clarity; the squall passages benefit from crisp consonants and controlled breath placement to project the imagery without sacrificing blend.
  • Use the recorded accompaniment to establish the Celtic harmonic language and rhythmic lilt, then gradually reduce reliance on it during rehearsals so the choir internalizes the melodic and harmonic color.
  • Balance the storytelling arc between the peaceful, reflective passages and the dramatic sea sequences; this prevents the work from feeling episodic and strengthens its emotional trajectory.
  • Attend to the instrumental parts if performing with accompaniment; they reinforce the nautical atmosphere and should be rehearsed alongside the vocal lines from the start.

How to use it

Program this as a centerpiece in a concert exploring maritime or cultural traditions, or pair it with other Hayes arrangements to showcase his distinctive approach to secular choral writing. It works equally well in a mixed concert format or as a featured piece in a men's choir recital, where the vocal writing allows for impressive projection and dynamic range.

Skills your students will build

  • Text painting and dramatic interpretation in secular choral music
  • Singing with stylistic awareness of Celtic musical idioms
  • Dynamic control and articulation for word clarity during rhythmically complex passages
  • Ensemble blend in passages that shift between lyrical and energetic textures

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