Song of the Lonely Mountain (from <i>The Hobbit: An Unexpected Journey</i>) Cover Image

Song of the Lonely Mountain (from <i>The Hobbit: An Unexpected Journey</i>): Choral Octavo SoundTrax CD

$27.99 USD
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Song of the Lonely Mountain (from <i>The Hobbit: An Unexpected Journey</i>) Cover Image

Song of the Lonely Mountain (from The Hobbit: An Unexpected Journey): Choral Octavo SoundTrax CD

Lyrics by Neil Finn, music composed by Neil Finn, David Donaldson, David Long, Steve Roche, and Janet Roddick / arr. Jay Althouse

Item: 00-39923

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Description
Featured over the end credits of The Hobbit: An Unexpected Journey, this song paints the picture of the epic quest taken in the film. The song's roots come from a theme sung by the dwarves earlier in the movie. Like the film, the ballad's steady tempo and harmonies build, capturing the aura and drive of the storyline.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081445847
SKU: 00-39923

More about this title

Why we love this

Jay Althouse's arrangement captures the cinematic sweep of the original without overwhelming a developing choir. The piece builds momentum through its harmonic progression and steady pulse, giving singers real narrative arc to shape rather than asking them to simply execute notes.

What to expect

The song unfolds with the deliberate pace of a journey beginning, layering voices and harmony as it progresses. There's an earnest, folkloric quality to the melody that gives way to richer harmonic colors, creating a sense of gathering momentum and purpose.

Who it's for

Choirs comfortable with mixed voicing and steady rhythmic independence will connect with this arrangement. It works well for groups seeking crossover appeal that bridges film music and choral literature without sacrificing musicality.

How to get the most out of it

  • Establish the steady tempo early in rehearsals and maintain it consistently; this song relies on rhythmic drive to convey its epic quality.
  • Layer the parts gradually during rehearsals, starting with melody and bass before adding inner voices, so singers hear how their part contributes to the harmonic architecture.
  • Shape the dynamic curve alongside the harmonic intensity; as the song builds, encourage singers to find the emotional weight that matches the expanding texture.
  • Use the recorded accompaniment in final rehearsals to acclimate singers to the actual tempo and style they'll hear in performance.

How to use it

This pairs naturally with concert themes exploring heroic quests, adventure, or film music repertoire. Its length and narrative arc make it effective as a standalone feature piece or as a centerpiece in a thematic set that contrasts with lighter or more intimate arrangements.

Skills your students will build

  • Sustaining steady tempo across a longer form
  • Harmonic listening and part independence in building textures
  • Dynamic shaping aligned with harmonic progression
  • Balancing melody awareness with ensemble blend

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