Something's Gotta Give: SATB Choral Octavo
Words and music by Johnny Mercer / arr. Jay Althouse
Item: 00-PO-0008000
Minimum order quantity: 20 copies
Pickup currently not available
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About the Composer: Johnny Mercer
Johnny Mercer stands as one of the most prolific and versatile American songwriters of the 20th century. Born in 1909, he crafted lyrics and melodies across multiple genres including jazz standards, Broadway shows, film scores, and popular songs, earning him four Academy Awards and induction into the Songwriters Hall of Fame.
Mercer's genius lay in his ability to write intelligently witty, conversational lyrics that sat naturally over memorable melodies. His output shaped the Great American Songbook and continues to anchor vocal jazz repertoire. For educators, Mercer's catalog offers accessible yet sophisticated material that teaches singers about lyrical storytelling, swing sensibility, and the interplay between words and music.
Why we love this
Jay Althouse captures everything essential about this Mercer standard while keeping the arrangement conversational and groove-centered rather than overstuffed. The voicing sits comfortably for mixed choirs while retaining the swing attitude that makes the song memorable, and the material satisfies both concert and jazz ensemble contexts without requiring specialized training.
What to expect
The arrangement swings with understated confidence, letting Mercer's clever lyrics and the song's irresistible hook do the heavy lifting. You'll feel the groove settle into your singers' bodies as the piece unfolds, creating that satisfying sensation of a well-oiled jazz ensemble.
Who it's for
Concert choirs seeking jazz repertoire that doesn't require a rhythm section or specialized vocal jazz training will find this immediately usable. Vocal jazz ensembles and show choirs looking for a versatile standard that programs well alongside other American songbook material will connect with both the music and the historical significance.
How to get the most out of it
- Lock the rhythmic feel early in rehearsal by singing through the recorded accompaniment multiple times before isolating any individual parts. The swing lilt needs to feel inevitable, not imposed.
- Balance the lyrical content with the rhythmic sophistication. These lyrics are clever and conversational, so articulation and phrase shaping matter as much as the groove.
- Keep the energy level consistent across all four sections rather than letting dynamics sag in the middle voices. Every voice participates in the swing feel.
How to use it
Anchor a spring concert celebrating American song or use it as a accessible entry point into jazz repertoire within a larger concert program. The 16-page length makes it substantial enough for a concert feature without overwhelming rehearsal time.
Skills your students will build
- Swing articulation and jazz phrasing
- Balancing rhythmic precision with lyrical naturalness
- Four-part voicing independence in syncopated contexts
- Singing stylistic material outside the classical choral tradition