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Something's Gotta Give: Choral Octavo SoundTrax CD

$24.95 USD
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Something's Gotta Give Cover Image

Something's Gotta Give: Choral Octavo SoundTrax CD

Words and music by Johnny Mercer / arr. Jay Althouse

Item: 00-31112

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Description
Celebrate the 100th anniversary in 2009 of the birth of the great American songwriter, Johnny Mercer, with this tight, swingin' arrangement. Appealing to vocal jazz as well as concert choirs. Irresistible!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081338842
SKU: 00-31112

More about this title

About the Composer: Johnny Mercer

Johnny Mercer (1909-1976) shaped American popular song across six decades, writing lyrics for standards that defined the Great American Songbook. His gift for conversational, witty, and deeply singable lines made him one of the most recorded lyricists in history, collaborating with composers like Henry Mancini, Jerome Kern, and Harold Arlen. Mercer's influence extends far beyond his era; his understanding of how words marry to melody remains a model for songwriting craft.

Beyond theater and film, Mercer's impact on choral music is substantial. His compositions and lyrics continue to appear in jazz and pop choral arrangements, introducing generations of singers to the harmonic sophistication and swing sensibility of the American Songbook. Teaching his work opens doors to vocal jazz interpretation and historical context for mid-twentieth-century popular music.

Why we love this

Jay Althouse captures the swagger and sophistication of this Mercer standard in an arrangement that works equally well for vocal jazz ensembles and traditional choirs. The SoundTrax CD removes a major rehearsal bottleneck, giving your singers a reference recording and accompaniment track immediately, so rehearsal time focuses on blend, articulation, and the rhythmic tightness that makes a swing arrangement sing. The writing is accessible without sacrificing the jazz vocabulary that makes this era of American music so rewarding to explore.

What to expect

The groove has lift and attitude; this is music that swings without sounding forced or self-conscious. Mercer's lyrics carry the warmth of mid-century vernacular and wit, while Althouse's arrangement seats them in lush jazz harmonies that feel both sophisticated and joyfully accessible. Your singers will feel the difference between performing and performing with style.

Who it's for

Choral directors seeking repertoire that bridges concert and jazz idioms will find this Mercer classic an ideal fit for mixed or treble choirs at the intermediate level and above. This octavo works for programs celebrating American songwriting, centennial or tribute concerts, and ensembles looking to expand into swing and jazz phrasing without relying on a full jazz band arrangement. Singers with some experience in popular music will engage immediately with both the melody and the era it represents.

How to get the most out of it

  • Study the recorded accompaniment first as a full ensemble so singers understand the groove and harmonic motion before learning their individual parts.
  • Lock the rhythmic precision in the section work by isolating phrases and counting through swing eighth-note subdivisions; this style demands crisp ensemble attacks and releases.
  • Balance the jazz interpretation against over-articulation; let the swing feel breathe naturally rather than forcing every syllable to punch.
  • Use the SoundTrax CD at performance tempo during the final weeks of rehearsal to condition the ensemble to sing with the track without losing their internal pulse.

How to use it

Pair this with other Mercer numbers or classic American standards to create a concert segment that resonates with audiences of all ages. The arrangement's versatility allows it to anchor a pop choral showcase or to serve as the bridge between traditional concert repertoire and more contemporary popular music. Consider it a perfect vehicle for a spring pops concert or an end-of-year celebration where vocal jazz energy can take center stage.

Skills your students will build

  • Swing rhythm and jazz phrasing (swing eighths, triplet feel subdivision)
  • Blend and intonation in jazz harmony contexts (extended and altered chords)
  • Stylistic interpretation and articulation appropriate to the American Songbook era
  • Ensemble precision and synchronization with recorded accompaniment

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