Solo Time for Strings, Book 3 Cover Image

Solo Time for Strings, Book 3: Cello Book

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Solo Time for Strings, Book 3 Cover Image

Solo Time for Strings, Book 3: Cello Book

For String Class or Individual Instruction

By Forest Etling

Item: 00-13077

$8.99
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Description
Because a fine orchestra depends on fine players, Solo Time for Strings emphasizes individual accomplishment, progress, and achievement while preparing young students for participation in a school orchestra. The series teaches reading in conjunction with note learning, enabling students to start playing melodies as soon as possible, and is appropriate for class or individual instruction. The solos assist in a progressive technical development from "twinkle, twinkle" in Book 1 to music by Vivaldi in Book 5.

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Additional Details
Publisher: Alfred Music
Page Count: 32
UPC: 038081089713
SKU: 00-13077
Instrumentation: Cello

More about this title

About the Author: Forest Etling

Forest Etling understood that young string players need structured, achievable repertoire to build confidence and independence. His Solo Time for Strings series became a staple in music education by connecting technical instruction to actual musical performance from the very beginning.

Why we love this

Solo Time for Strings Book 3 strikes the balance every cello teacher wants: solid technical progression without sacrificing musicality. The pedagogical design pairs reading instruction with immediate melodic rewards, so students experience real musical accomplishment rather than abstract exercise work.

What to expect

A bridge between simple folk melodies and legitimate Baroque music. Students experience the satisfaction of playing recognizable material while developing the technical control and rhythmic precision needed for real repertoire.

Who it's for

Cello students in their second or third year of study, whether in group instruction or private lessons. This book works equally well for students preparing for school orchestra placement or those building confidence through individual repertoire.

How to get the most out of it

  • Encourage vibrato work on longer note values to build tone color and sustain control.
  • Use duet passages to develop ensemble listening skills alongside solo independence.
  • Prioritize intonation drills on shifting passages before moving to tempo.
  • Have students perform solos for peers in class to reinforce confidence and accountability.

How to use it

Assign solos as weekly practice assignments to complement ensemble rehearsals, allowing students to apply classroom technique in solo contexts. Select standout pieces for student recitals or sectional performances to celebrate individual progress within the orchestra program.

Skills your students will build

  • Reading in multiple positions with fluent note identification
  • Shifting technique on stepwise and intervallic passages
  • Sustaining longer phrases with consistent bow control
  • Playing with rhythmic precision in simple and compound meters
  • Left-hand independence and intonation accuracy across two octaves

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