Solla Sollew: SoundTrax Digital Audio Download

Flaherty's Broadway voice translates beautifully to choir, and this arrangement by Andy Beck captures the song's theatrical warmth without overshadowing the singers. The recorded accompaniment gives choirs immediate access to Broadway-quality sound, which means your singers can focus on blend and interpretation rather than fighting instrumental balance.

The song carries warmth and optimism, with Flaherty's signature melodic generosity making it feel generous and singerly from the first rehearsal. There's a quality of emotional openness here that invites singers to connect with the text rather than fight the music.

This arrangement works for developing and intermediate choirs seeking accessible Broadway material with immediate performance polish. It's ideal for singers who enjoy contemporary musical theatre and benefit from hearing professional orchestration while they learn.

• Shape the lyrical line through clear vowel formation; Broadway text demands crisp articulation on consonants but sustained, open vowels on the musical ideas.
• Use the recorded accompaniment to lock the ensemble's tempo and phrasing early, then gradually move toward independent interpretation once confidence builds.
• Balance homophonic sections against any divisi writing by checking that the accompaniment sits beneath rather than competing with the choir's primary melodic line.
• Consider dynamic contrast between verse and chorus material to highlight the song's emotional arc, even if the accompaniment doesn't shift dramatically.

This pairs naturally with other contemporary Broadway selections for a musical theatre concert or as a lighter counterweight in a mixed repertoire program. It also works as a confident closer for a spring concert, where the song's emotional tone can leave audiences satisfied without heaviness.

• Singing with Broadway style legit vowels and articulation
• Responding to recorded accompaniment as an ensemble partner
• Shaping long melodic phrases with dynamic control
• Balancing choral texture when multiple voice parts support the primary melody