Solid Potato Salad Cover Image

Solid Potato Salad: SATB Choral Octavo

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Solid Potato Salad Cover Image

Solid Potato Salad: SATB Choral Octavo

Words and music by Don Raye, Gene De Paul, and Hughie Prince / arr. Kirby Shaw

Item: 00-48383

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Description
You'll never think of the popular potluck side dish the same way again! This quirky song originally appeared in the 1944 MGM musical Broadway Rhythm. Kirby's authentic arrangement retains the characteristic sound and style of the time period, including bright jazz harmonies and swing rhythms. An add-on section near the end introduces a whole picnic of musical goodies before packing it up for a big finish!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Solid Potato Salad: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
UPC: 038081552064
SKU: 00-48383

More about this title

About the Composer: Don Raye

Don Raye was a prolific songwriter and lyricist whose work shaped the sound of 1940s popular music and film. His collaborations with composers like Gene De Paul produced some of the era's most memorable novelty and swing numbers, many of which appeared in MGM musicals and reached audiences far beyond the theater.

Why we love this

Kirby Shaw's arrangement captures the infectious charm of a 1944 novelty number without reducing it to camp. The swing rhythms and jazz harmonies feel genuinely playful rather than forced, and the picnic-themed add-on section gives choirs a structured way to build energy and personality into the final phrase without improvisation.

What to expect

Bright, bouncy, and unexpectedly sophisticated. The swing beat and jazzy harmonies evoke a golden-age Hollywood sound, while the whimsical subject matter gives singers permission to enjoy themselves without apology. It's the kind of piece that gets stuck in your head and makes you smile when it does.

Who it's for

Mixed choirs at the intermediate to advanced level who want a concert piece that entertains without sacrificing musicality. This works especially well for groups looking to balance serious repertoire with something that reminds audiences why singing together is joyful.

How to get the most out of it

  • Keep the swing rhythms loose and ahead of the beat; lock the rhythm section (bass and percussion if you're adding instruments) to drive the groove rather than anchor it metronomically.
  • Shape the jazz harmonies with clear voice leading so the unexpected chord changes land as intentional brightness, not sloppiness.
  • Approach the text with conversational ease rather than theatrical overselling. The humor works best when delivered matter-of-factly.
  • Use the recorded accompaniment in early rehearsals to lock the groove, then gradually reduce dependence on it so the choir's rhythmic independence shines in performance.

How to use it

Program this as a palate cleanser between heavier classical or spiritual selections, or bookend a concert with it as a finale to leave audiences laughing and energized. It also pairs well with other mid-century pop arrangements in a themed concert celebrating American musical theater.

Skills your students will build

  • Swing rhythm and groove awareness
  • Jazz harmonies and voice leading through chromatic motion
  • Rhythmic independence from accompaniment
  • Articulation and style appropriate to 1940s popular song
  • Ensemble blend in close-interval jazz voicings

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