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Soaring: Intermediate/Late Intermediate Piano Sheet

$11.95 USD
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Soaring Cover Image

Soaring: Intermediate/Late Intermediate Piano Sheet

By Mary Leaf

Item: 98-E1058

$11.95
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Description
Soaring, for one piano four hands, is an uplifting intermediate/late intermediate ensemble piece commissioned for the 10th Anniversary of the Bismarck-Mandan Monster Concert, 2008. This piece with its lyrical melodic lines and strong rhythmic B section, precisely portrays the feeling of uninhibited gliding or "soaring" as titled. Students will love playing this ensemble piece and portraying its free spiritedness.

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Additional Details
Series: The FJH Piano Ensemble Series
Publisher: The FJH Music Company, Inc.
UPC: 674398221776
SKU: 98-E1058

More about this title

Why we love this

The B section's rhythmic energy gives you a built-in contrast that keeps students engaged without requiring them to master dense harmonic language. Leaf writes the melody and accompaniment parts with genuine care for balance, so neither player dominates, making this an ideal ensemble experience for intermediate students still developing their collaborative instincts.

What to expect

Unstructured flight without turbulence. The lyrical opening floats with purpose while the energetic B section brings wind and momentum, capturing that physical sensation of gliding effortlessly through space. The piece breathes rather than rushes.

Who it's for

Intermediate and late intermediate pianists who are ready to collaborate in ensemble settings. Students at this level benefit from shared repertoire that develops listening skills without overwhelming technical demands, and this piece offers exactly that partnership.

How to get the most out of it

  • Shape the lyrical passages by listening to the primo's line and allowing the secondo to breathe underneath it rather than doubling its weight. The emotional arc depends on that clarity.
  • The rhythmic B section needs consistent pulse from the secondo. Have that player tap the primary beat silently during the melodic opening so they lock in immediately when the texture shifts.
  • Balance dynamic growth across both parts. If the primo pushes volume without the secondo following, the piece flattens. Mark your dynamics in both staves before rehearsal.

How to use it

Pair this with a traditional solo work in a spring recital to showcase your students' ensemble musicianship. It works especially well in programs celebrating collaborative playing or featuring multiple piano pairings, since the moderate length allows room for other repertoire.

Skills your students will build

  • Listening to and balancing two independent melodic lines in real time
  • Responding to textural changes between lyrical and rhythmic sections
  • Maintaining ensemble cohesion without a conductor
  • Shaping a melodic line while accompanying sensitively
  • Understanding how rhythmic foundation supports lyricism

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