Soaring Sheet Music Preview

Soaring: Piano

By Mary Leaf

Item: 98-DE1058

Digital Download
$11.95
Description
Soaring, for one piano four hands, is an uplifting intermediate/late intermediate ensemble piece commissioned for the 10th Anniversary of the Bismarck-Mandan Monster Concert, 2008. This piece with its lyrical melodic lines and strong rhythmic B section, precisely portrays the feeling of uninhibited gliding or "soaring" as titled. Students will love playing this ensemble piece and portraying its free spiritedness.

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Additional Details
Series: The FJH Piano Ensemble Series
Publisher: The FJH Music Company, Inc.
SKU: 98-DE1058

More about this title

Why we love this

Mary Leaf captures something genuinely difficult to achieve in four-hand writing: the piece unfolds with real musical substance, not filler. The lyrical A section gives students something beautiful to shape, while the rhythmic B section demands rhythmic precision and coordination without ever feeling academic.

What to expect

The piece embodies freedom without chaos. The opening moves with graceful, unhurried momentum, inviting both players into a moment of genuine musical expression. When the B section arrives with its strong rhythmic character, the energy shifts from contemplative to kinetic, capturing the exhilaration of flight.

Who it's for

Piano duet students at the intermediate to late intermediate level who are ready for ensemble experience. This piece works well for students developing independence at the keyboard and learning to listen and adjust within a partnership.

How to get the most out of it

  • Balance the melody between primo and secondo parts in the A section. The lyrical quality depends on clear voice leading, so listen for which hand carries the primary theme and shape it accordingly.
  • Work the rhythmic B section with a metronome locked at tempo. The strong rhythmic character only lands when both players feel the pulse together; rushing or dragging will flatten the energy.
  • Resist the urge to play faster as you gain confidence. The title's promise of soaring comes from breath and space, not speed. Let the rubato come naturally from the lyricism, not from impatience.

How to use it

Feature this on a student recital or piano ensemble concert where you want to showcase collaborative musicianship alongside solo work. It pairs naturally with other ensemble pieces at this level and gives intermediate students a substantial concert moment that builds confidence and camaraderie.

Skills your students will build

  • Four-hand coordination and ensemble listening
  • Shaping lyrical melodic lines across both parts
  • Rhythmic precision in syncopated passages
  • Balance and blend between primo and secondo voices
  • Maintaining independent tempos while playing as one
  • Ensemble communication without verbal cues

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