So Goes the Moon Cover Image

So Goes the Moon: Intermediate Piano Sheet

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So Goes the Moon Cover Image

So Goes the Moon: Intermediate Piano Sheet

By Christopher Goldston

Item: 98-W9227

$2.50
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Description
This inquisitive, celestial piece has a wondrous five-note melody. So Goes the Moon has a kind of Close Encounters theme, but is perhaps best understood as more personal and introspective. Goldston has masterfully written a simple piece, with an eloquent sense of awe. Written for LH alone.

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Additional Details
Series: Written For You
Publisher: The FJH Music Company, Inc.
UPC: 674398216574
SKU: 98-W9227

More about this title

About the Composer: Christopher Goldston

Christopher Goldston

Christopher Goldston earned his Master of Music in piano performance and pedagogy from Northwestern University and his Bachelor of Music from the University of North Carolina-Greensboro. He has taught at Columbia College Chicago, Roosevelt University, and Sherwood Conservatory of Music while maintaining a private studio in Chicago and offering virtual instruction.

Goldston's contributions to music education extend far beyond the studio. He received the National Federation of Music Clubs Lynn Freeman Olson Composition Award in 1991 for his debut composition, Night Train, and has coordinated the MTNA Composition Competition nationally since 2010. His leadership roles have included presidencies of both the Illinois State Music Teachers Association and the Chicago Area Music Teachers Association. Named an MTNA Foundation Fellow in 2020, Goldston served as MTNA National Secretary-Treasurer from 2021 to 2023. His commissioned work Four Virtues for oboe, violin, and piano premiered at the 2022 MTNA National Conference.

Why we love this

Goldston's restraint here is the strength. Left-hand only pieces are rare at the intermediate level, and this one doesn't waste its single focus on technical display; instead, it builds genuine emotional resonance from a five-note melody and the space around it. The Close Encounters reference signals approachability while the introspective quality keeps it from feeling novelty-driven. It's the kind of piece that students remember because it felt meaningful to play, not difficult.

What to expect

Quiet wonder. The celestial theme emerges naturally without bombast, and the writing creates a sense of looking outward or inward, depending on where the player's imagination takes them. There's a contemplative beauty here that lingers after the final note.

Who it's for

Intermediate piano students ready to move beyond purely technical studies and into interpretive territory. This piece speaks to players who are developing musicianship alongside skill; they have the hand coordination to manage the left-hand textures and the maturity to sustain an introspective mood.

How to get the most out of it

  • Shape the five-note melody with unhurried phrasing; the wondrous quality depends on allowing silence and resonance to matter as much as the notes themselves.
  • Experiment with pedal to create a sense of space and reflection without muddying the line. Less is often more with a piece this lean.
  • Trust the simplicity. Intermediate players sometimes feel the urge to add drama or flourish to restrained writing. Resist that impulse and let Goldston's voice speak on its own terms.

How to use it

Place this as a recital centerpiece for students seeking repertoire that showcases sensitivity rather than speed, or pair it with other introspective works to create a thematic concert segment about stillness and observation. It also serves as a refreshing palate cleanser between more technically demanding pieces.

Skills your students will build

  • sustaining melodic phrasing within a single hand
  • using the pedal for resonance and atmosphere
  • interpreting minimal notation with confidence
  • left-hand independence and control

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