So Easy: SATB Choral Octavo
(To Fall in Love)
Words and music by Olivia Dean, Amy Allen, John Ryan, and Max Wolfgang / arr. Alan Billingsley
Item: 00-PO-0007780
Minimum order quantity: 20 copies
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More about this title
About the Composer: Olivia Dean
Olivia Dean burst onto the international music scene as a genre-fluid vocalist and songwriter who blends soul, jazz, and contemporary pop into something entirely her own. Her 2026 GRAMMY Award for Best New Artist recognized her ability to craft intimate, sophisticated songs that feel both timeless and urgently modern. As a composer and lyricist, Dean writes from genuine emotional experience, crafting melodies and lyrics that resonate across generations of listeners.
Why we love this
Alan Billingsley's SATB arrangement captures the effortless groove of the original without sacrificing the sophisticated harmonic language that makes Dean's songwriting so compelling. The readable rhythms and approachable voicings mean your ensemble can focus on the soul and style of the piece rather than wrestling with notation. This is the rare pop arrangement that respects both the source material and your singers' musicianship.
What to expect
"So Easy" unfolds with the warm, unhurried ease of a Saturday night conversation. Bossa nova rhythms meet modern soul in harmonies that feel both groovy and sophisticated, creating a sound that's simultaneously relaxing and alive. The piece radiates the joy of uncomplicated connection, inviting your audience into something intimate and real.
Who it's for
This arrangement works for high school choirs, college/university ensembles, and semi-professional groups looking for contemporary repertoire with genuine artistic substance. Your singers need solid rhythmic reading skills and comfort with jazz-inflected harmony, but the voicings remain accessible and reward thoughtful interpretation rather than technical fireworks.
How to get the most out of it
- Center the relaxed, conversational vocal quality of the melody. The song's appeal lies in its intimacy, so encourage singers to phrase as if they're speaking directly to the listener rather than projecting to a concert hall.
- Let the rhythm section (if using instrumental parts) establish the bossa nova groove early in rehearsal. The harmonic sophistication of the arrangement will land more naturally once the pocket is locked.
- Balance the neo-soul harmonies with clarity. These chords are lush but should never feel muddy; mark breath points that allow the inner voices to breathe between phrases.
- Use the recorded accompaniment to hear how the arrangement sits within the original's production aesthetic. It reveals exactly where rhythmic precision matters most and where flexibility serves the song.
How to use it
Program this as a closer or penultimate piece on a concert where you want to shift the energy toward contemporary relevance without losing musical substance. It pairs beautifully with other pop or neo-soul arrangements on the same concert, or it can stand alone as a statement piece that shows your ensemble's versatility beyond classical repertoire. Consider pairing instrumental parts for a fuller arrangement if you have rhythm section musicians available.
Skills your students will build
- Singing jazz-inflected harmony and neo-soul chord extensions
- Maintaining relaxed, conversational phrasing over a syncopated rhythmic groove
- Reading mixed meters and syncopated rhythms in a contemporary style
- Balancing lush, close harmony voicings with clarity and blend
- Interpreting contemporary pop/soul repertoire with stylistic authenticity