So Easy Sheet Music Preview

So Easy: SAB Choral Octavo

(To Fall in Love)

Words and music by Olivia Dean, Amy Allen, John Ryan, and Max Wolfgang / arr. Alan Billingsley

Item: 00-PO-0007781

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Description
British singer Olivia Dean secured her status as one of pop's biggest breakout stars by winning the 2026 GRAMMY Award for Best New Artist. Here's her soulful, sunny track about the joy of an uncomplicated romance. With a laid-back vibey aesthetic, it's bossa nova meets modern neo-soul that feels like the "perfect mix of Saturday night and the rest of your life." Effortless choral harmonies and readable rhythms make it so easy to sing this genre-bending hit in a variety of voicings.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
SKU: 00-PO-0007781

More about this title

About the Composer: Olivia Dean

Olivia Dean burst onto the global music scene as a genre-defying artist who blends soul, R&B, neo-soul, and pop into something distinctly her own. Her 2026 GRAMMY Award for Best New Artist recognized her ability to craft emotionally intelligent, sonically adventurous music that resonates across generations and musical traditions. Dean's songwriting, developed alongside collaborators Amy Allen, John Ryan, and Max Wolfgang, focuses on authentic storytelling and rich harmonic textures that translate beautifully into choral settings.

Why we love this

Alan Billingsley's arrangement captures the laid-back sophistication of the original without losing the contemporary edge that makes this song compelling. The SAB voicing keeps parts singable and accessible while preserving genuine harmonic interest, and the rhythmic vocabulary sits naturally for singers who may be new to pop styles. Programming this gives students a chance to own a current, GRAMMY-winning track that feels both musically substantial and genuinely fun to perform.

What to expect

Warm, unhurried, and swaying. The arrangement captures the breezy confidence of an uncomplicated love song set to a bossa nova groove with modern soul undertones. Singing it should feel effortless and natural, with just enough harmonic color to keep things interesting without feeling overwrought.

Who it's for

Choirs seeking accessible pop repertoire that doesn't sacrifice musicality, whether in a high school show choir, college pop ensemble, or community chorus looking to expand beyond traditional standards. Directors who want students to engage with contemporary music and recent GRAMMY-winning artists will find this arrangement welcoming and performance-ready. The readable rhythms and approachable voicing mean it works for ensembles with mixed experience levels.

How to get the most out of it

  • Lean into the rhythmic pocket rather than pushing the tempo; the groove is the foundation, so lock the ensemble's pulse before worrying about perfect intonation.
  • Encourage singers to listen to the original recording to internalize the vocal color and phrasing; this style lives in inflection and feel, not strict classical diction.
  • Balance the soprano and alto lines carefully in passages where they move in parallel motion; neither part should dominate, but both need clarity.
  • Use the recorded accompaniment to establish the bossa nova and neo-soul aesthetic from day one, then gradually reduce dependence on it as confidence grows.

How to use it

Perfect for a spring concert or end-of-year show where you want to celebrate contemporary repertoire and showcase your singers' ability to navigate pop idioms. Pair it with other current hits or classic soul standards to create a program that spans generations but stays cohesive in mood. It also works beautifully as a concert opener that establishes an approachable, energized tone before moving into other styles.

Skills your students will build

  • reading and performing syncopated rhythms in a pop/R&B context
  • understanding bossa nova and neo-soul musical aesthetics
  • maintaining rhythmic independence within a groove-based ensemble
  • singing with relaxed vibrato and contemporary vocal color
  • balancing three-part harmony while preserving individual voice line independence

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