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So Easy: SATB Choral Octavo

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So Easy: SATB Choral Octavo

(To Fall in Love)

Words and music by Olivia Dean, Amy Allen, John Ryan, and Max Wolfgang / arr. Alan Billingsley

Item: 00-52204

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Description
British singer Olivia Dean secured her status as one of pop's biggest breakout stars by winning the 2026 GRAMMY Award for Best New Artist. Here's her soulful, sunny track about the joy of an uncomplicated romance. With a laid-back vibey aesthetic, it's bossa nova meets modern neo-soul that feels like the "perfect mix of Saturday night and the rest of your life." Effortless choral harmonies and readable rhythms make it so easy to sing this genre-bending hit in a variety of voicings.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081618401
SKU: 00-52204

More about this title

About the Composer: Olivia Dean

Olivia Dean emerged as a defining voice in contemporary soul and pop, blending R&B sensibility with genre-fluid songwriting. Her 2026 GRAMMY Award for Best New Artist marked a significant moment in music, validating her approach to crafting intimate, sophisticated pop songs that feel both timeless and urgently modern.

Why we love this

Alan Billingsley's arrangement captures the essence of Dean's original without sacrificing singability, giving your choir access to a contemporary hit that sounds genuinely current rather than classroom-bound. The blend of bossa nova and neo-soul idioms introduces singers to rhythmic and harmonic territory beyond traditional pop, while the readable voicing means you're not sacrificing musicality for accessibility.

What to expect

Warm and inviting, like a Saturday night that lingers into everything else. The arrangement balances the song's inherent soulfulness with a kind of effortless cool, allowing the text about uncomplicated joy to land without irony. Singers should feel the ease promised in the title while still engaging with the rhythmic and harmonic sophistication underneath.

Who it's for

Choirs looking to program contemporary hits without sacrificing artistry or vocal range. This octavo works equally well in high school and community settings where singers want to connect with current music while building skill with modern idioms.

How to get the most out of it

  • Shape the laid-back groove by resisting the urge to over-articulate. Let the rhythms breathe and sit slightly behind the beat where the bossa nova framework suggests it.
  • Balance the harmony voices so they support rather than overpower the melody line. The neo-soul texture depends on clarity of line rather than sonic weight.
  • Use the recorded accompaniment to lock the ensemble into the groove, especially if your singers are less familiar with contemporary R&B phrasing and rhythmic flexibility.
  • Pay attention to vowel consistency across the chord. The soulful character emerges partly from how the vowels blend, not just the harmonic content itself.

How to use it

This sits naturally in a contemporary pop showcase or a concert exploring modern songwriting across genres. It also serves well as a concert closer or bridge piece between more traditional repertoire and newer material, signaling your ensemble's range and relevance to current audiences.

Skills your students will build

  • Reading syncopated rhythms in a contemporary pop context
  • Singing in neo-soul and bossa nova idioms
  • Balancing melody and harmony voices in a groove-based texture
  • Phrasing flexibility and rhythmic freedom within a consistent harmonic framework

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