Six Sonatinas, Opus 36 Cover Image

Six Sonatinas, Opus 36: Piano Book

$8.95 USD
Sale price  $8.95 USD Regular price 
Skip to product information
Six Sonatinas, Opus 36 Cover Image

Six Sonatinas, Opus 36: Piano Book

By Muzio Clementi

Item: 00-K02129

makemusic Cloud badge
$8.95
Shipped

One moment…

Description
Muzio Clementi (1752--1832) was a famed composer, pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer. Although born in Italy, he spent most of his life in England. In his time, he was known as "the father of the pianoforte," "father of modern piano technique", and "father of Romantic pianistic virtuosity." This collection of his 6 Sonatinas, Opus 36, includes: No. 1 in C major * No. 2 in G major * No. 3 in C major * No. 4 in F major * No. 5 in G major * No. 6 in D major. Newly engraved edition.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Six Sonatinas, Opus 36: Piano Book comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 36
ISBN10: 0-7579-0462-9
ISBN13: 978-0-7579-0462-2
UPC: 654979997481
SKU: 00-K02129

More about this title

About the Composer: Muzio Clementi

Muzio Clementi (1752–1832) shaped the trajectory of keyboard music across two continents and two centuries. Born in Rome but based primarily in London, he established himself as a virtuoso pianist, influential teacher, and prolific composer who bridged the Classical and Romantic eras. His technical innovations at the keyboard transformed what composers expected from performers, and his pedagogical works became standard references for generations of pianists.

Beyond composition, Clementi was a force in the music industry itself. He founded a publishing house, manufactured pianos, and edited works by other composers, positioning himself at the center of European musical life. His reputation as a pianist and pedagogue earned him the titles "father of the pianoforte" and "father of modern piano technique," reflecting his outsized influence on how the instrument was played and understood.

Why we love this

Clementi's Op. 36 sonatinas represent Classical structure at its most elegant and approachable. These pieces move beyond mere studies to become genuine musical statements, offering pianists their first real encounter with the formal sophistication of the genre without overwhelming technical demands. The collection provides a perfect bridge between elementary repertoire and the more demanding works of Beethoven and Mozart.

What to expect

Clementi's sonatinas sparkle with clarity and directness. Each movement unfolds with logical grace, built from simple themes that develop through sequence and harmonic color rather than complex texture. There is an inherent optimism in these pieces, a sense of discovery as melodies travel between hands and keys move through related tonalities.

Who it's for

These sonatinas serve pianists transitioning from elementary repertoire to Classical forms, typically around intermediate level. Teachers seeking graded literature that combines musicality with structural clarity will find these pieces invaluable for students ready to understand sonata form without the technical demands of Beethoven's later works.

How to get the most out of it

  • Attend to phrase shape and articulation rather than speed. Clementi's sonatinas reward singers' legato and structural clarity; resist the urge to rush through passages marked moderato or allegro.
  • Practice the hand-crossing passages separately so they feel natural rather than fussy. Clementi often writes these moments for textural brightness rather than virtuosic display.
  • Bring out the harmonic movement in slow movements by controlling dynamics subtly. These sections often contain unexpected modulations that deserve gentle emphasis.
  • Balance both hands equally when playing dialogue passages. Clementi frequently trades material between right and left hand; neither should dominate.

How to use it

Feature these works in student recitals to anchor a Classical era segment with genuine substance. A single sonatina pairs well with a Bach prelude and a piece from the Romantic era, showing students how the keyboard language evolved. Alternatively, program multiple sonatinas from this collection to demonstrate Clementi's consistent voice across different keys and emotional landscapes.

Skills your students will build

  • Recognizing and executing sonata form (exposition, development, recapitulation)
  • Voice independence and hand coordination across keyboard ranges
  • Phrasing in Classical contexts without excessive romanticism
  • Harmonic progressions and modulation between related keys
  • Balanced touch and articulation in dialogue passages
  • Tempo flexibility within Classical conventions

You May Also Like