Sing with the Angels Cover Image

Sing with the Angels: 3-Part Mixed Choral Octavo

$1.90 USD
$1.90 USD
Skip to product information
Sing with the Angels Cover Image
Sing with the Angels: 3-Part Mixed Choral Octavo

Sing with the Angels: 3-Part Mixed Choral Octavo

Words and music by Ruth Morris Gray

Item: 00-45443
makemusic Cloud badge

Need it now?

Buy Digital Version
$1.90
Shipped

One moment…

Related Items

Sing with the Angels: SoundTrax Digital Audio Download

$27.99
View

Sing with the Angels: SATB Choral Octavo

$1.90
View

Sing with the Angels: 3-Part Mixed Choral Octavo

$1.90
View
Description
This high-energy original Christmas spiritual is not to be missed! A driving gospel chorus alternates with contrasting verses, then a quote from "Angels We Have Heard on High" introduces a lively, and briefly a cappella, refrain. Pair with the optional SoundTrax CD and choreography from the Step One! DVD and at alfred.com/video.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sing with the Angels: 3-Part Mixed Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Open in the Player

Jump straight in and assign it today.

Start Your Free Trial

Open this title and explore the full library in minutes.
Sample Pages

Sample Audio
0:00
0:00
Sample Video
No sample videos found.
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081511832
SKU: 00-45443

More about this title

About the Composer: Ruth Morris Gray

Ruth Morris Gray

Ruth Morris Gray has directed choirs at Rosemead High School since 2004, where she also teaches piano. She holds a Bachelor of Music in Piano Performance and Composition from Biola University and a Master of Arts in Music Composition from UC Santa Barbara, earned credentials through California State University, Northridge.

With over 100 published choral compositions to her name, Gray has established herself as a prolific voice in contemporary sacred and seasonal choral literature. Beyond the classroom and rehearsal hall, she performs regularly and finds creative balance through travel, reading, swimming, and cycling.

Why we love this

This piece cuts through the crowded field of holiday chorals by pairing genuine energy with smart musical architecture. The alternation between the driving gospel chorus and contrasting verses keeps choirs engaged, and the appearance of "Angels We Have Heard on High" provides a moment of textural and melodic relief before the a cappella refrain lands with fresh impact.

What to expect

The piece radiates joy and motion. The gospel-inflected chorus propels forward with infectious rhythmic energy, then the verses offer breathing room and melodic space. When the familiar tune from "Angels We Have Heard on High" emerges, there's a moment of recognition and warmth, followed by the freshness of singing a cappella as a unified ensemble.

Who it's for

This octavo works well for intermediate to advanced mixed choirs seeking a contemporary holiday piece with contemporary gospel influences and accessibility for SAB voicing. It suits school choirs, church ensembles, and community choirs who want something with rhythmic drive and textural variety beyond traditional carols.

How to get the most out of it

  • Shape the gospel chorus with clear rhythmic precision so the energy feels propulsive rather than scattered; emphasize the ensemble pulse through dynamics and articulation.
  • Balance the SAB voicing so the verses land with contrast against the chorus sections; use slight tempo adjustments or rubato to highlight the shift in character.
  • Prepare the a cappella refrain by locking ensemble intonation through careful sectional rehearsal; even brief moments a cappella reveal blend and tuning issues immediately.
  • If using the optional SoundTrax accompaniment, allow singers to internalize the rhythmic feel in several rehearsals before relying on the recording during performance.

How to use it

Program this as a show-stopping second half opener or a peak moment in a holiday concert where you want to showcase your choir's rhythmic cohesion and contemporary sound. Its energy makes it an excellent bridge between traditional sacred selections and more modern seasonal repertoire, or pair it with spirituals and gospel-influenced pieces for a thematic program segment.

Skills your students will build

  • Gospel-influenced rhythmic precision and syncopation
  • Balancing energy and articulation in ensemble sections
  • Shifting vocal character and blend between chorus and verse textures
  • A cappella intonation and ensemble cohesion
  • Phrasing and dynamic shaping in mixed-voice arrangements

You May Also Like