Sing We All Noel Cover Image

Sing We All Noel: SSAA Choral Octavo

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Sing We All Noel Cover Image

Sing We All Noel: SSAA Choral Octavo

Based on "African Noel" and "Angels We Have Heard on High"

Arr. Gary E. Parks

Item: 00-27148

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Description
Based on "African Noel" and incorporating words from "Angels We Have Heard on High," this Gary Parks arrangement is like nothing you've heard before. Instruments and sections of the choir are added one-by-one as the piece grows toward a rhythmic explosion of sound. Simple percussion instructions included in the publication make it easy to incorporate rhythm and mallet instruments, or consider using the SoundTrax CD. A multicultural feast for the ears!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sing We All Noel: SSAA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081294087
SKU: 00-27148
Instrumentation: Opt. Percussion

More about this title

About the Arranger: Gary E. Parks

Gary E. Parks is an arranger and composer whose work spans choral, instrumental, and educational music. His arrangements are known for their accessibility, creative orchestration, and ability to bring fresh perspectives to familiar material.

Why we love this

Parks builds this arrangement with architectural precision, layering instruments and choir sections one at a time so the texture unfolds naturally rather than hitting you all at once. The percussion suggestions feel integrated, not tacked on, and the multicultural approach gives your singers ownership of something genuinely contemporary while staying rooted in holiday tradition.

What to expect

The piece unfolds like a sunrise, starting intimate and gathering momentum through careful addition of color and rhythm. By the final section, voices and instruments converge into something joyful and celebratory, drawing on African musical traditions while honoring the familiar language of Christmas carols.

Who it's for

Choirs with solid intonation and rhythmic independence can tackle this arrangement confidently. SSAA voicings work beautifully for treble-heavy ensembles, though the SSAA option serves mixed groups seeking accessible holiday fare with textural interest.

How to get the most out of it

  • Balance the layering carefully during rehearsal; mark exactly when each section enters so the building effect lands intentionally rather than accidentally.
  • If adding percussion, start learning the rhythm parts early since the publication includes instructions but not staff notation; hand-drummer communication matters here.
  • Consider the SoundTrax accompaniment if your ensemble needs harmonic support, especially helpful for programs where this is a sight-reading season.
  • Let the rhythmic explosion at the end breathe; resist the urge to rush it even as energy increases.

How to use it

Position this as a high-energy finale to a holiday concert or use it to balance a program heavy with traditional sacred music. Its 16 pages and multicultural identity make it an excellent anchor for a set exploring how Christmas is celebrated across different cultures.

Skills your students will build

  • Maintaining intonation across expanding textures
  • Ensemble interdependence when entering at different times
  • Rhythmic precision in syncopated passages
  • Blending with optional percussion and mallet instruments
  • Sight-reading SSAA voicing with optional instrumental parts

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