Sing We All Noel Cover Image

Sing We All Noel: SSAB Choral Octavo

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Sing We All Noel Cover Image

Sing We All Noel: SSAB Choral Octavo

Based on "African Noel" and "Angels We Have Heard on High"

Arr. Gary E. Parks

Item: 00-27147

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Description
Based on "African Noel" and incorporating words from "Angels We Have Heard on High," this Gary Parks arrangement is like nothing you've heard before. Instruments and sections of the choir are added one-by-one as the piece grows toward a rhythmic explosion of sound. Simple percussion instructions included in the publication make it easy to incorporate rhythm and mallet instruments, or consider using the SoundTrax CD. A multicultural feast for the ears!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sing We All Noel: SSAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081294070
SKU: 00-27147
Instrumentation: Opt. Percussion

More about this title

About the Arranger: Gary E. Parks

Gary E. Parks is an arranger and composer whose work spans choral, instrumental, and educational contexts. His arrangements are known for their accessibility, rhythmic vitality, and ability to engage singers across different experience levels while maintaining musical substance.

Why we love this

Parks builds this arrangement with architectural precision, layering voices and instruments gradually until the texture becomes irresistible. The rhythmic drive that emerges from the strategic voicing choices makes it genuinely exciting to conduct and sing, not just pedagogically sound. A piece that satisfies both the director seeking musical depth and the ensemble seeking genuine joy in performance.

What to expect

The piece draws energy from African and traditional carol sources, building from sparse, focused moments into a propulsive rhythmic celebration. It feels contemporary and grounded at once, never condescending to its harmonic or rhythmic foundations.

Who it's for

Choirs with mixed voicing (SAB or SSAB) looking for a Christmas selection with real rhythmic momentum and cross-cultural appeal. Works equally well for high school and adult choirs that want to move beyond traditional carols while staying within accessible vocal ranges.

How to get the most out of it

  • Balance the gradual entrance of instrumental and sectional layers so each addition is heard distinctly; resist the urge to let everything blend into one wash of sound too early.
  • Lock the rhythm section (whether percussion or recorded accompaniment) with precision during the "rhythmic explosion" section; this is where the arrangement's energy fully lands.
  • If adding live percussion, rehearse those parts separately so percussionists understand their role in the overall build and can maintain clarity during the piece's acceleration.
  • Treat the opening sections with restraint to preserve the contrast when the texture expands; underdoing the beginning makes the climax land harder.

How to use it

Pair this with one quieter, more traditionally arranged carol to create dynamic contrast in a holiday concert. Its percussion options make it equally valuable for a secular winter concert seeking multicultural representation or a sacred program wanting textural variety.

Skills your students will build

  • Responding to gradual textural layering and entering confidently at assigned points
  • Maintaining rhythmic integrity while parts are added around them
  • Singing with rhythmic precision in syncopated or non-traditional meters
  • Blending with optional instrumental and percussion parts
  • Understanding how arrangement choices create momentum and emotional impact

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